Overhung with glittering chandeliers and surrounded by billowing red curtains, The Fillmore Silver Spring's main room easily holds elegant concerts and thrashing dance parties alike on its hardwood floor. Balconies equipped with tables and chairs allow VIP seclusion, elevated sightlines of onstage antics, and easy conversation with GA-ticket-holding giraffes.
The graceful ease with which a good bartender mixes drinks masks the difficulty of the job, one that requires knowledge and dexterity—not to mention charisma. The seasoned barkeeps at Bartender of America, a TIPS-certified school, know what it takes to be a good bartender and lead their students through deliberate exercises inside a fully simulated tavern environment. Amid ambient sounds and music, novice bartenders dole out maraschino cherries and shake martinis while refining their conversational skills and learning how to identify underage kids by their mustaches. Fully committed students can opt for the entire Bar 101 curriculum, attaining a bartending license and valuable tricks for managing their resume and acing job interviews, while abbreviated classes offer insight into the fundamentals of the trade.
Dance Place first leapt onto the scene more than three decades ago as an educational and performing arts company that toured local schools. In the years since, it has grown into a multi-faceted operation and source of both entertainment and instruction.
Every weekend, Dance Place dazzles crowds with performances in modern dance, African Dance, performance art, and spoken word. Rather than hiring a sketch artist to doodle each dance step into a flipbook, spectators can learn the moves they see on stage by enrolling in one of Dance Place's programs, or by dropping into an adult or children's class. Dance Place has remained true to its roots through its continued support of local schools, and to this day organizes family-friendly performances, workshops, and school assemblies.
It is a truth generally known that theater people are odd birds. At times, the colorful, loud, and oftentimes naked presence of these wild creatures might throw one off their guard. There was a time (ahem, the seventies and eighties) when theater was less of an experiment of story-telling and more of a parade of power chords (ahem, Andrew Lloyd Webber). At Wooly Mammoth Theater Company they have sought to change all that and to let the beast out of the cage! Buy a ticket to an enchanting and fantastically entertaining season at Wooly Mammoth. Here, they explore the new, the innovative, the odd, the bold, and the terrifying! They do it all with reckless abandon at a black box theater in Washington, DC. This is a place to share ideas and to let the imagination roam.
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The young Italian tenor trio Il Volo impresses audiences with pitch-leaping vocal performances rich in three-part harmonies. Performing renditions of classic Italian songs as well as material penned by contemporary songwriters, the teenage opera singers showcase budding international appeal and the promise of a bright future that consists of crooning crowds and autographing customs slips at airports. Opening act Ethan Bortnick, a 10-year-old piano prodigy known as the youngest entertainer to headline his own concert tour and attempt to purchase a monster truck, starts out the night with original piano compositions as well as recognizable classics.