Now in its 21st year, the AFI Latin American Film Festival celebrates hitting the drinking age by hosting an array of cinematic achievements by Latin American filmmakers, with this year’s slate of films extending to motion pictures from Spain and Portugal. The 2010 lineup includes Revolution, a collection of short films from 10 Mexican moviemakers, including actors Gael Garcia Bernal and Diego Luna, that explores the themes of the Mexican Revolution on its 100th anniversary. Those with an off-kilter sense of humor or an unhealthy love for con-artistry can check out Uruguay’s Bad Day to Go Fishing, which follows a wrestler and his manager as they navigate through South America, putting on fake exhibitions of strength. Venezuela’s Story of a Day enthralls its viewers by poetically chronicling the numerous parties, feasts, and chores in a Venezuelan village, and Honduras’s Love and Beans comically details marital mysteries and draws attention to the plight of beans everywhere. Check the full lineup to see how the festival's schedule of silver-screen offerings matches up to your own sci-fi screenplay about the 1993 Buffalo Bills.
At Montgomery Royal Theater, six screens beam larger-than-life stars into the eyes of moviegoers during showings of recently released flicks and Hollywood blockbusters. Viewers can sink into the theater's plush, cushioned seats to absorb action-packed reels that showcase the twists of budding romance or the dire consequences of resurrecting an extinct flower’s DNA. The theater’s concession stand outfits viewers with buckets of popcorn and cups brimming with soda, providing the appropriate rations to accompany treks into the fantastical worlds of first-run films.
From blockbuster action flicks to hybrid family comedy/existential musicals, The Movies at Montgomery Mall provides sensorial excitement for audiences of all ages and interests. The freshly renovated theaters boast extremely wide rows, complete with luxury leather high-back chairs, crisp digital projection, and cranially transcendent surround sound. Armed with the sustainable satisfaction of unlimited soda and popcorn ($12), moviegoers (up to $9 for an evening show) can stay entertained during previews, hydrated during jaw-dropping twists, and speechless after each and every chipmunk-cheeked soliloquy. If so desired, families and film buffs alike can purchase up to 10 Groupons in preparation for a full season of air-conditioned adventure.
Founded by a ring of cinephiles who set out to rehab an abandoned theater just north of George Washington University, West End Cinema screens foreign, independent, and documentary films that open up new intellectual and cultural vistas. Films run the genre gamut from quirky, independent dramedies and comedramas to special live events such as Opera in Cinema or Ballet in Cinema. Sunset-orange and slate walls and recessed lighting usher guests from a glass-fronted lobby into three cozy theaters, each of which seats between 50 and 100 watchers. On the way, they'll pass an abundantly stocked concession stand, where they can harvest drinks from a full bar, baklava, and gourmet sandwiches along with additional children from the sour patch.
One In Ten was founded in 1991 at the same time we began the Reel Affirmations International Gay and Lesbian Film Festival. Through the arts, One In Ten works to build community among GLBT people fostering a sense of belonging by bringing our stories, our struggles and accomplishments to life on the stage, screen and page.
One of many vaudeville and movie palaces that sprung up in the 1920s, the Warner Theatre today drops jaws in much the same way it did in its infancy: with glittering chandeliers, gilded ceilings, and red-felt seats. Yet before transforming into its modern incarnation, it served as a film-only venue with such luxuries as a rooftop garden and a ballroom in the basement. The Warner even had a dance troupe akin to the Rockettes?called the Roxyettes?who would high-kick before and after the screen lit up.
After falling into disarray in the '70s, the Warner became a concert venue, saving it from the wrecking ball but forcing it to require a complete renovation in 1989 to remove years of grime and stray musical notes lodged between seat cushions. At the reopening gala, a host of stars performed, including Frank Sinatra in what would prove to be his last DC show.