The Minnesota Wild put up a 25-12-4 record at the Xcel Energy Center last season, giving crowds plenty of reason to cheer, chant, and toast each other. With goal-focused pucksmen Mikko Koivu and Martin Havlat leading the way this season, the Wild are poised to bury the Predators and the Red Wings—both Western Conference rivals and 2010 Stanley Cup playoff teams—in a hailstorm of supersonic slapshots and seamless shift changes. Your suite seating will let you watch the sub-zero spectacle of your choice from within the confines of a fan-friendly pod of sheltered luxury. The Xcel Energy Center will fuel your full-throated cheering and creative high-fiving throughout the evening with a hot dog, chips, a cookie, and a soda or water.
Out in a Limb Dance Company & School's professional instructors introduce kids and adults to styles as various as classical ballet, modern dance, acrobatics, and hip-hop. School performances let students show off what they've learned to family, friends, and Barbies whose legs refuse to plié, while summer intensives let young bundles of energy immerse themselves in the choreography of a full-scale musical production. Ballroom classes help casual students get comfortable for wedding-mandated whirls about the dance floor and nights out at salsa clubs. Teachers come from backgrounds including the sets of musical theater productions, the Moscow Ballet, and training with Paula Abdul, and all work to create a disciplined, distraction-free environment by asking that students adhere to a formal code of etiquette.
Initially conceived as a one-off event in 2010, The Smoker's Club has since expanded, presenting fans with tours that unite skilled rappers and expert beat makers. One of the original members of the Wu-Tang Clan, Grammy-winning wordsmith Method Man spouts off dexterous rhymes in a gravely voice obtained by chugging asphalt smoothies every day for breakfast. Curren$y gently cradles ears with laid-back flow, and frequent Smoker's Club collaborators such as Big K.R.I.T., Smoke DZA and Fiend buoy the evening with additional verbal fireworks. Rattling bass shakes the historic Congress Theater's gold-domed interior and main floor as fans dance and weave through the crowds to try to snag an autographed poster, CD, or security guard.
Ken Davenport, the producer of Altar Boyz, crafted My First Time from a collection of more than 40,000 first-hand stories of people's first sexual experiences. The stories were all submitted anonymously to a website in 1998 and were drawn from the fossilized depths of the pre-socially networked Internet, where MIDI files swooped over vast primordial lakes of raw HTML. The range of pathos for such an assemblage is easy to envision, with tales vacillating from the sweet and silly to the absurd and existentially horrifying. Four fully clothed actors weave the anecdotes together from fine, lacy yarns of minimally graphic language while sitting monologue-style atop stools on center stage. Over the course of 90 minutes and without intermission, the play cheekily reveals true stories from real people and the five W's of their first adult trials. The result is a play infinitely more compelling than alternative premises such as My Initial Sandwich or New Shoes: The Blister Stories.
For $7, today's side deal gets you a general ticket to one of two opening weekend night performances of Pangea World Theater and Teatro Del Pueblo's production of The House of Bernada Alba (a $15 value). Choose from Saturday, April 10th, or Sunday, April 11th, both at 7:30 p.m. at the newly remodeled SteppingStone Theatre in St. Paul.