Founded by world-class duo Igor and Svetlana Iskhakov, Dance Centre is dedicated to the empowerment and physical fitness of the everyday person via the art of dance. The studio features both high-level instruction for budding Baryshnikovs as well as a host of beginner-friendly classes in a variety of dance styles. Group classes consisting of as few as five pupils practice basic steps within the Gahanna facility's grand 6,000 square feet of studio space, the perfect place for dancing and drag racing floor buffers. Igor and Svetlana also host regular practice parties for their students, which present festive opportunities to show off new skills in a no-pressure social setting or mingle with accomplished star students.
For more than 50 years, Judy Dollenmayer Studio of Dance's instructors have been dedicated to training students of all ages. And as they offer more than 100 classes per week, there is something for everyone. Their styles range from jazz to tap to hip hop. While they emphasize turnout, flexibility, and posture in ballet, they focus more on the storytelling aspect of dance in lyrical classes, helping dancers drive their movements through emotion. During hip-hop classes, they coach students to hit funky, fast-paced movements, and in tap, they teach feet to tap out rhythmic beats. In addition to these expressive forms of movement, the instructors also lead barre ballet fitness classes, which blend dance techniques into calorie-burning cardio routines.
The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
The consortium of professional instructors at Fred Astaire Dance Studios, which was cofounded by the legendary toe tapper himself, shepherds students of all ages and skill levels through lessons that span the style spectrum. Low-pressure private sessions allow enthusiastic teachers to fine-tune individual students' techniques and form, using their expert eyes and mechanical dancing shoes preprogrammed to do the Charleston. Patrons can learn how to cavort through classic waltz and fox-trot romps or swivel through the modern steps of salsa, swing, or samba. For dancers hoping to hoof it up in a social setting, the group practice parties provide a one-night extravaganza of instruction, demonstrations, and amateur firewalking.
In Radio & Juliet, artistic media and historical conventions cross-pollinate on stage as the themes of Shakespeare and the music of Radiohead coalesce into a stark framework for Ballet Maribor’s minimalist forms. Dancers exploit the sense of alienation that permeates singer Thom Yorke’s voice to full effect, spinning in counter-clockwise pirouettes to symbolize their defiance of the passage of time. In swapping the Bard’s dramatic romance for Blue Tooth shades of melancholy, the production taps into an expression of longing attraction that the Pittsburgh Post-Gazette called “white hot in a way that Shakespeare could never have imagined.” Main-floor seats in the lavish, gold-swathed Palace Theatre, which was designed in the 1930s to mimic the Palace of Versailles, open up unobstructed views of the action.
One of the region’s only professional opera companies, Opera Columbus has enriched the fertile fields of central Ohio's cultural landscape since 1981. With The Marriage of Figaro, the company presents one of the five most-performed and least-yodeled operas of all time, a controversial Mozart masterpiece that lampooned the European aristocracy when first released. Audiences can laugh along with the comic tale of Figaro, a plucky servant who aims to embarrass and outwit his lecherous and conniving employer, the bullying Count. English supertitles are displayed above the stage to allow non-Italian-speaking patrons to follow the action and calculate the cosine of its complex love triangles.