Inside a neo-Romanesque building on the Norwich Free Academy campus, Slater Memorial Museum traces local and world history with an extensive art collection. More than 150 plaster casts of classical and Renaissance sculpture tower above basketry, ceremonial masks, and leatherwork from African artisans, as well as artifacts from Mesopotamia and Persia. Saving space for those from North American shores, the museum also displays work from 19th-century Norwich artists, such as Denison Crocker and John Trumbull, plus pieces from 20th-century Connecticut artists, such as Ozias Dodge and Charlotte Fuller Eastman. The galleries host annual rotating exhibitions and events. Visitors courting their own muse can craft metal art and jewelry at adult art classes, and kid artistes sample a range of disciplines from printmaking and watercolors.
At Lutz Children's Museum, curious young ones aged 2 to 10 explore rotating hands-on exhibits to soak up knowledge and stoke imagination flames. Dismount aluminum covered wagons and kick off a terra firma cultural journey at the main street exhibit, which depicts a World War II-era American village, including a detailed shop and school. Meanwhile, the farm exhibit vividly displays 19th-century Connecticut farm life, where kids can collect eggs from hens, climb in a hayloft, milk the resident cow, or psychoanalyze their moos. Colorful works decorate the halls of the children's art gallery, which occasionally features the creative work of professional artists, while cuddleful perks await visitors of the rescued live animals, where a chinchilla named Bounce currently prowls the grounds alongside about 50 other cute creatures.
Longtime resident of northeastern Connecticut, Carly Martin founded Silver Circle in 2008 with the belief that art is the glue that keeps communities together, granting local artists a space to exhibit their masterworks, hosting classes for aspiring Picassos to hone their craft, and providing a venue for jewelry makers to sell their crafts. The original pieces in Martin's gallery––which have included works by Jean-Paul Jacquet and George Chaplin––rotate on a four- to six-week schedule, and featured exhibits can be viewed in the main hall every Tuesday through Sunday, or through an enchanted mirror on Monday. Rather than having a decorative mindset while choosing the pieces for the gallery, Martin takes a more spontaneous approach, telling the Putnam Villager, “We don't concern ourselves with 'matching'... If a piece of artwork speaks to us, it can change our whole space and add energy and interest in unexpected ways. Art truly breathes life into a home.”
Within a 308,000-square-foot complex run by the government of the Mashantucket Pequot Tribal Nation lies the keys to unlock 20,000 years of Native American history. Atop a 185-foot tower made from stone and glass, visitors drink in views of the region before heading back downstairs to visit the exhibits. Life-size, walk-through dioramas and live performances tell stories via interactive means, and two libraries keep archival materials that are perusable by children and adults. In addition to the permanent exhibits, special events take place throughout the year from harvest festivals to beading circles.
Founded in 1975, Real Art Ways is one of the United States' leading innovative contemporary-arts organizations. The cinema at Real Art Ways screens first-run and classic independent films seven nights a week for the viewing pleasure of card-carrying art haus-ers and visually starved celluloid fanatics alike ($9 for non-members, $5 for members). Leave the distracting 4G smart-toaster at home to put all the focus on Life 2.0, a thought-provoking film about human interaction in the digital age. Vintage hits like the horrifying Japanese 1977 flick House and the slightly less-horrifying 1955 Guys and Dolls share silver-screen space with surprising ease. Visit the calendar for a full list of show times.