In support of her high-decibel new album, Rihanna kicks off her hotly anticipated LOUD tour with emphatic gusto and a sizzling roster of special guests. Like an art show at a sundae bar, the LOUD tour floods the senses, enchanting audiences with lavishly designed sets, myriad costume changes, move-busting dancers, and Rihanna's songbook of Grammy magnets. Crooner Cee Lo Green augments the songful offerings with his own vocal talents, and Roc Nation rapper and rhythm scientist J. Cole further helps resuscitate ear drums traumatized by the outside world's blaring car horns and shrill howler monkeys.
The senses are stuffed with aural and visual excess as English tribute act Brit Floyd recreates the sonic mind expansion and visceral enlightenment of a real Pink Floyd show. The band of highly trained virtuosos and a quintet choir of chanteuses does justice to its subject like a jury of smitten rock critics, nailing every note and nuance of Pink Floyd’s signature sound. Rollicking through all of The Floyd’s epic oeuvre, the British group finesses a catalog of timeless hits, including “Wish You Were Here” and “Learning to Fly.” The elaborate stage setup replicates The Division Bell tour, replete with metamorphic lasers and lighting, avant-garde screen projections, and a mammoth ocular stargate, giving fans the closest thing to seeing a Pink Floyd show without being miniaturized and injected into their uncle’s subconscious.
Girls Night: The Musical will bring to the stage of the 14th Street Theatre a heartfelt, comedic story of five friends celebrating their history and future together while embarking on an epic night of karaoke. Actresses belt out renditions of such female classics as "It's Raining Men," "I Will Survive," and “Lady Marmalade” amid vibrant set pieces. Theater seating harkens back to intimate cabarets of yore, with up to four seats and a Dean Martin wax figure adorning each table. Groupon holders receive the best non-VIP seats possible (any table other than tables A-G) upon the redemption of their vouchers at the theater's will-call station.
The building that would eventually become Merriam Theater opened as the Sam S. Shubert Theater in 1918, honoring the famous, theater-owning Shubert family’s youngest member, who died tragically in a train accident a decade earlier. Following the fortunes of its fellow theaters, the Merriam's inaugural years saw success with toe-tapping Gershwin musicals and spine-tingling Shakespearean performances by John Barrymore. As vaudeville petered out and the country slid into a depression, the theater struggled to pay the bills through more tawdry means, hosting burlesque shows and letting patrons see the stage without its curtain. The University of Arts eventually bought the building in 1972, and restored the venue to its former glory as host to the country's finest performers.
After playing in 45 countries and being crowned the longest-running solo show in Broadway history, Defending the Caveman comes to Philadelphia with one of the city's natives, Vince Valentine, as the titular caveman, commentating on the ever-waging battle of the sexes. A veteran of theater and standup comedy who has performed as the caveman more than 500 times, Valentine enlivens Rob Becker's uproarious script, which blends casual observations, such as a woman's tendency to dominate her man's closet, with hypothetical situations, such as men talking about what makes them cry as they pump iron. Playing to a cozy crowd in Prince Music Theater's Independence Foundation Black Box, Valentine shows audience members the comedic side of their own spousal interactions through Becker’s hilarious anecdotes.