Howard Pyle's unexpected death in 1912 brought a group of artists, entrepreneurs, and businessmen together to grieve their friend. They couldn't let the artist's passion for teaching and illustration disappear as quickly as he had; so, they decided to form the Wilmington Society of Fine Arts with the sole purpose of preserving his legacy. They gathered funds from locals who felt just as strongly as they did?family members, friends, students, fans?and purchased approximately 100 pieces of his artwork.
Little did they know that, with these 100 pieces, they were starting something greater than a memorial for a good friend. The Wilmington Society of Fine Arts would, over time, add more and more artwork to its collection, growing into an 80,000-square-foot space and out of its original name. The Delaware Art Museum, as its called today, now counts more than 12,000 works of art as part of its collection. Permanent features showcase British pre-Raphaelites, the urban landscapes of John Sloan, modern American art, and, of course, Howard Pyle. The masterpieces don't stop when visitors venture outside?the Copeland Sculpture Garden adorns its lush natural scenery with nine works from the museum's permanent collection, along with a massive outdoor labyrinth.
Nestled inside a former railroad-car factory, the Delaware Center for the Contemporary Arts took shape in 1979, led by a small group of artists and art patrons. The DCCA moved to a permanent location in 2000—one with 35,000 square feet of space, seven galleries, and individual studios for 26 artists—but still clings to its original mission of building public appreciation for contemporary art through exhibitions and educational programs.
Although the center is a noncollecting museum, it does feature roughly 30 exhibits each year from regional, national, and international artists. These shifting collections explore relevant societal themes such as the public obsession with celebrity, the flippant nature of consumerism, and the effects urban metropolises have on how humans relate to nature and each other. The exhibits can use any variety of media, and the studio artists embrace this same freedom by using everything from paints to video in their works.
To engage visitors outside the gallery spaces, the DCCA hosts educational programs for adults as well as exploratory classes for children, which help wee ones create their own relevant, meaningful pieces. Tours allow groups to learn more about the exhibits while an informed guide tries to recite every single anagram of Delaware.