Arts & Culture in Wilsonville

Brody Theater’s battle-tested improv artists throw themselves onstage and embrace unscripted chaos, creating hilarious shows for eager audiences. Friday's 8 p.m. slot is often occupied by "Micetro" or "Theatresports," both competitive improv-offs where observers offer suggestions to build the scenes from scratch. Sixteen improv gladiators stride in to "Micetro," which runs through March 25, but only one rises victorious after the audience votes their numbers down to a one-on-one joke duel. "Theatresports" splits performers into two teams who issue challenges to each other, using audience suggestions to out-funny their opponents. Unlike "Micetro," "Theatresports" is scored by Brody's judges, to whom the audience should direct boos and marriage proposals. Crowds can carbo-load their chuckle muscles with a selection of food and drinks, including wraps (starting at $6), beers (starting at $2.75), and wine (starting at $4).

Bag & Baggage’s production of Macbeth retells the story of the renowned Shakespeare play with some surprising new twists. A plot of murder and supernatural spookiness, Macbeth tells the tale of a successful army general who, after hearing a prophecy told by three witches, is convinced by his wife to weave a scheme of betrayal and homicide to ascend the throne. Macbeth’s actions cause him to be plagued by apparitions of his slain victims, sinking into depression, fear, and paranoia. While the original play ends with bloody results, Bag & Baggage's playwrights continue the story, following the exploits of Macbeth's children by integrating period-accurate Elizabethan writings.

Nestled beneath the luminous beacon of its old-timey marquee, the Clinton Street Theater cements its status as Portland’s oldest continuously running independent film house with a rotating slate of foreign films, documentaries, and cult classics. Weekly screenings of The Rocky Horror Picture Show and Repo: The Genetic Opera draw fervent cultists dressed as their favorite characters and boom-mic operators, complementing screenings of splattery horror flicks with thought-provoking opera from rising and renowned auteurs. The cylindrical glow from a whirring projector jets across the Clinton’s spacious theater, illumining arrivals from such directors as Sidney Lumet and Gus Van Sant, who is notorious for instructing his actors to break character midfilm to challenge texting film-goers to bare-knuckle brawls.

In a sense, Portland State's Department of Theatre and Film is at the very center of the university. Its stately home, Lincoln Hall, was the first building erected on campus, in 1911. 475 plush seats curve around the stage of Lincoln Performance Hall inside, built with lots of leg room and a steep incline that insures excellent visibility even during plays cast with the tiniest of actors. The theater underwent a total renovation in 2010, and in addition to the visible facelift, backstage improvements now allow the department to mount even more elaborate productions.

Going on a quarter-century in business, Triangle Productions forges into the future under the leadership of founder and executive producer Don Horn. The Sanctuary, meanwhile, lends its spacious, 200-seat auditorium as the troupe's home venue. Outside, an ample parking lot ensures attendees won't have trouble finding a space in which to reenact their favorite scenes after the show.

Portland Opera has always set its collective eyes on the horizon. Since filling the gaps left by touring troupes and sporadically performing local companies in 1964, it has endeavored to expand the art form on the stage and beyond. Twenty years after its inception, it became just the second company in the US to project English translations of foreign lyrics above the stage, enabling audiences to leave their Italian dictionaries at home. The company also pushes the boundaries of the shows themselves, staging world premiers of classic stories such as Wuthering Heights, commissioning the work Lucy's Lapses, and producing the West Coast premiere of Philip Glass's Orphée. Not to be contained within one performance space, it also established Portland Opera To Go, a touring division that performs works such as Cinderella and La Bohème at schools and community centers.