In 2012, Man v. Food called in Jeremy Wheeler, one of their most trusted competitors, to take on Red Rock Saloon's Unforgiven challenge. As he sidled up to the table, a gravity-defying meal towered before him: atop a pound of French fries sat a fried chicken breast buried between two half-pound bacon cheeseburgers. Encircling the meaty monolith were six ghost-chili chicken wings—and he only had 23 minutes to eat it all. Though it took him until the very last second, Jeremy defeated the meal, becoming only the second person in Red Rock's history to do so.
It’s fitting that Red Rock would dream up a challenge most patrons can’t win—the restaurant is named after a real-life rodeo bull that famously bucked more than 300 riders. When patrons aren’t lining up to ride the mechanical version of Red Rock or listening to live rock and country music, they’re crowding around tables to order from a menu that boasts 2012 Chili Bowl champion Texas red chili. Like Oprah’s address book, the rest of the menu reads like a scrapbook of American pop culture: seasoned chicken crowns the James Dean salad, molasses barbecue sauce sweetens KC Jones wings, and pineapple and jalapeños pile atop a Will Kane pulled-pork sandwich.
Atlas Improv Company shows, which rely on audience participation and judging, draw everybody in the house into a night of innovative, unpredictable theater. Launched six years ago when the performers at Comedysportz Madison broke off to form a new company, Atlas is dedicated to exploring the boundaries of improv and then colonizing everything beyond those boundaries. The group's approach emphasizes storytelling over traditional improv rules and time limits, resulting in richer narratives, deeper character development, and a unique blend of traditional theater and modern improv, like a pizza topped with iPhones.
Resting beneath natural light from the skylights mounted above it, the hulking figure of the 1.2 million-pound Union Pacific Big Boy cloaks visitors in a shadow that stretches for nearly 50 yards. As guests ascend the monstrous cab of this steam locomotive, they enter the centerpiece of the National Railroad Museum, a chamber echoing with more than 150 years of American railroading history.
After exiting Big Boy, guests can view a computer-generated porter that recounts how African-American rail workers formed the nation's first all-black labor union, and another stop invites passengers to view inside a portion of General Eisenhower's WWII command train. Elsewhere in the museum, various collections are housed with more than 15,000 photographs, archives such as maps and engineering drawings, and more than 5,000 artifacts including uniforms and tools.
The National Railroad Museum has over 60 pieces of rolling stock, including diesel, steam, and electric locomotives, and passenger and freight cars. Among these are some of the most influential and unique pieces in railroading history, including a number of items that pertain to the state of Wisconsin.
Other must-sees of the museum include General Motors’ experimental Aerotrain; the streamlined Pennsylvania Railroad No. 4890, a GG-1 electric locomotive; and the Frederick Bauer Drumhead Collection, the largest, single collection of railroad drumheads known to exist in the United States. Most facilities are accessible, except where rolling stock cannot be altered due to their historic nature. The Museum’s train ride is accessible, and a wheelchair lift is available.
A train ride is offered on a daily basis from May through September and guided tours are available from Memorial Day to Labor Day. The Museum also hosts a variety of special events for all ages.
For more than 30 years, the dedicated instructors at Valley Social Dance Studio have shared their joy of ballroom dancing with students of all experience levels. These certified teachers make it fun by making it easy, leading group and private lessons at a slow pace while making sure that everybody remains engaged.
There aren't a lot of theater stages that can claim to have hosted presidential speeches—and fewer yet for which that president was William Howard Taft. Opened in 1883, the Grand Opera House has seen performances by the likes of Mark Twain, Harry Houdini, and John Philip Sousa, among other culture-makers of distant generations. Across a century and a quarter, the magnificent auditorium has played the parts of a vaudeville venue and a movie theater, and it wasn't until the mid-'80s that the stage resumed its duties as an opera house. After a sweeping referendum, the city acquired and restored the building, and in 1986 it reopened with a new staging of The Bohemian Girl—the same work that had first lifted its curtains more than a 100 years earlier. Today, 660 can enjoy the opera house's historic magnificence: an enormous, staggered chandelier, cherubic murals across the ceiling and flanking the balcony, and an unmatched ambiance of crimson and gold grandeur.