One of New York’s first all-girl, flat-track roller-derby leagues, Suburbia Roller Derby fells female athletes for sport during fast-moving bouts. Adrenaline-pumping roller-derby games run as two-minute races, or jams, between two opposing teams and one swiftly roller-skating rabbit. Skating in laps, each team’s point-scoring jammer tries to bust through three oncoming blockers tailed by a pivot player to maintain the jam’s pace and yaw. The aggressive game bashes blockers and hammers jammers in close proximity to spectators, forcing onlookers to confront their fears of helmets and kneepads.
Since its origins as a converted parking garage, Alamo Drafthouse Cinema has ushered film-lovers of all breeds into its auditoriums, even gaining a following among Hollywood legends; Quentin Tarantino has been known to host five-day movie marathons at Alamo. The theater has earned that reputation by making moviegoing a personal experience, from the menu of handcrafted snacks and locally brewed beer to the completely ad-free presentations before shows. Alamo’s ninja servers pick up written food and drink orders throughout the movie and serve moviegoers directly at their seat. The staff enforces a strict no-talking, no-texting policy by kicking out any offenders, falling just short of yanking them from their seats with a giant's shepherd's crook.
Both first-run blockbusters and classics are projected onto Alamo's silver screens in crisp 35-millimeter or digital format. Meanwhile, surround speakers immerse audiences in the cinematic soundscape, whether they're seated in one of the expansive theaters afforded to blockbuster reels or the more intimate spaces reserved for indie films wound around tiny bobbins. Despite Alamo's vow of silence, fan-centric Quote-Along and Sing-Along nights encourage guests to shout their favorite lines, and actors, directors, and other celebrities often attend special screenings to lead in-depth discussions. These exclusive events have led to acclaim for Alamo from publications such as Entertainment Weekly, which called it “one of America's most fanatically unique moviegoing experiences,” and Wired, which opined that it "might just be the coolest movie theater in the world."
Arthur Murray has been a leading name in franchise dance since 1912, when the entrepreneur began selling mail-order dance lessons. Expanding his reach, he enlisted teachers to spread his signature dance lessons on first-class steamships and skyrocketed to fame in the '30s after introducing the public to such dances as the Lambeth Walk and The Big Apple. By the 1950s, Arthur and his wife, Kathryn, were hosting their own highly popular TV show on ABC, The Arthur Murray Dance Party, which ran for 12 years. Today, Arthur Murray's team prepares students for rug cutting at special events and weekend nightclub jaunts. Throughout lessons, instructors teach the foundations of two to four dances from a long list of styles that range from Latin to country-western, helping students to learn basic step patterns, timing, and the ability to lead or follow.
The Picture House's very first film flickered across the screen in 1921, and today, the recently restored nonprofit continues its legacy by showcasing a variety of new independent features, foreign films, and classic cinematic wonders. The theater projects hard-to-find flicks in both its 300-seat main house and intimate 20-seat screening room, eliciting laughter, kick-starting sorrow, and rekindling dreams of finding one's destiny during a battle with merpeople. To keep guests on the back edge of their seats, the owners frequently curate and host dedicated series that highlight family-friendly flicks, international pictures, and acclaimed documentaries.