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From Our Editors

For three decades, the Ohio Light Opera (OLO) has produced premier opera culled from around the world. The OLO attracts 22,000 aria-aficionados annually, to the chagrin of staffers saddled with sweeping up shattered monocles. In recent years, the company has expanded its repertoire to include Broadway staples such as Camelot, Loewe and Lerner’s rumination on the more musical moments of King Arthur’s reign paired with the more dramatic patches of his relationship with the Lancelot-lusting Guinevere. Alternately, Gilbert and Sullivan’s comic opera The Pirates of Penzance illuminates the classic tale of a pirate-turned-police-officer’s quest to vanquish vandals of the high seas while winning the unbridled affection of the major-general’s daughter.

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