What You'll Get
Circus bears untrained in the art of dance are often the least popular big-top attraction, falling somewhere between the bearded lady and a slice of stale rye bread on a pedestal. Ensure an appearance in the spotlight with today's deal.
- For $19, you get two 30-minute private dance lessons at Arthur Murray Dance Studio in Raleigh (an $85 value).
- For $19, you get two 30-minute private dance lessons at Arthur Murray Dance Studio in Cary (an $85 value).
A panel of trained dance teachers is ready and waiting to instruct students in the ways of balance and coordinated rhythmic motion. Bring a partner to your lessons, or fly solo and dance with your instructor. In either case, you'll leave with a greater understanding of the dance style of your choosing. These lessons are ideal for a betrothed pair prepping for the big wedding dance or a fledgling fitness-seeker looking for a fun new way to get in ship shape. Stick to a stately waltz, spice up life with a rumba, or feel vibrant and playful with a few swing steps in your personal repertoire. Whether you're an experienced dancer hoping to brush up on certain techniques or you have two left feet for feet and two right feet for hands, private lessons at Arthur Murray Dance Studio offer bountiful, dance-based benefits.
Arthur Murray has been a leading name in franchise dance since 1912, when an entrepreneur, also coincidentally named Arthur Murray, began selling mail-order dance lessons. Over the course of the intervening century, the company grew and expanded internationally to become the cavorting juggernaut that it is today. The Arthur Murray Dance Studios in Raleigh and Cary provide a warm, aesthetically sound environment for engaging in private lessons. The large professional dance studios are elegant, mirrored spaces with hardwood floors superbly suited to slicing and dicing a rug until it is no longer recognizable.
Valid for new students only.
The Fine Print
Promotional value expires Feb 11, 2011. Amount paid never expires. Limit 1 per person, may buy multiple as gifts. Valid at purchased location only. New clients only. Reservation required. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.
About Leading and Following: Staying in Tune with Your Partner
_Before you and a partner hit the floor, you'll need to decide who will lead. Learn why dancing is more than a game of "Follow the Leader" in Groupon's study of the concept._ A truly great dancer can lead a partner through a waltz on a crowded floor without smashing any toes or shattering any monocles—even if that partner has never waltzed before. The lead dancer (traditionally, but not always, the male of a male-female partnership) is charged with sending nonverbal cues to his partner through subtle movements of his hands and arms. This task can be incredibly nuanced, as the lead dancer must simultaneously keep time with the music, plan out his next steps, and navigate around other dancers. This is not to say that the other partner is entirely passive. Richard Powers, a dance instructor at Stanford University, asserts in his [Thoughts on Dance](http://socialdance.stanford.edu/syllabi/musings.htm) that "the follow role is mentally and physically active," just as aware of her surroundings and her partner's movements as the lead. Each partner must constantly adjust their movements to match the other's, and a good lead will never exert too much force if his partner does not catch his cues or know how to read his semaphore flags. "Clear leading is the physical equivalent of quiet, perfect diction, not shouting," writes Powers. This equality-minded philosophy of social dance gained widespread acceptance after the gender-role upheavals of the 20th century, but it isn’t a new phenomenon. Many 19th century men were emphatic about respecting the autonomy of their dance partners, with famed dancer Charles Durang noting in 1847 that "Gentlemen ought always to be attentive to their partners, and they should move in unison with their every step and attitude." That sentiment makes a striking contrast with that of a 1930 writer who argued that "No matter what her views on suffrage and feminism may be, it is a woman's duty to let the man lead on the ballroom floor. […] He is the pace-maker; she is his shadow." These attitudes about female submission on the dance floor persisted well through the 1950s, when the rise of the feminist movement began to reshape attitudes throughout society. Today, many dancers of any gender feel it's important to learn to lead and to follow in order to become a well-rounded, attentive partner.