What You'll Get
- $55 for one ticket for orchestra or mezzanine seating (up to $82 value)
- Click to view the seating chart
A Doll’s House Showtimes:
- Saturday, May 14, at 7:30 p.m.
- Sunday, May 15, at 7:30 p.m.
- Wednesday, May 18, at 7:30 p.m.
- Friday, May 20, at 7:30 p.m.
The Father Showtimes:
- Sunday, May 1, at 7:30 p.m.
- Tuesday, May 3, at 7:30 p.m.
- Thursday, May 12, at 7:30 p.m.
- Tuesday, May 17, at 7:30 p.m.
- Thursday, May 19, at 7:30 p.m.
- A Doll’s House: Henrik Ibsen’s tale of Nora, a woman on the verge of abandoning her husband and children to embark on a life of her own, challenged 19th-century standards with its unflinching portrayal of a splintering marriage and its complete evisceration of patriarchy.
- The Father: Written as a response to Ibsen’s play, August Strindberg takes on the undulations of marriage and the struggles between women and men.
The Fine Print
Promotional value expires May 20, 2016. Limit 8/person. Valid only for option purchased. Redeem on day of show for a ticket at the venue box office. Refundable only on day of purchase. Must purchase together to sit together. Discount reflects merchant's current ticket prices, which may change. ADA seating cannot be guaranteed; contact box office prior to purchase for availability. Ticket value includes all fees. Late seating is at the discretion of management and may not be in originally assigned seats. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.
About Theatre for a New Audience
Theatre for a New Audience has been turning new audiences into loyal audiences for more than three decades. Called "the most sophisticated purveyor of revivals in the major Off-Broadway leagues" by the New York Times' Charles Isherwood, the company has racked up nominations and awards from Drama Desk and Outer Critics Circle for its stagings of both Shakespearean and contemporary plays alike. And the company doesn't just treat audiences to performances by F. Murray Abraham and Kathleen Chalfant, or productions guest-directed by Tony winners Julie Taymor and Bartlett Sher. It also introduces public-school students to Shakespeare through hands-on workshops—a less haunting introduction to The Bard than a Ouija-board interview.