"Phantom of the Opera"

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In a Nutshell

Broadway’s longest-running musical enchants audiences with a tragic tale of love, disfigurement, and falling chandeliers

The Fine Print

Expiration varies. Limit 8/person. Valid only for option purchased. Refundable only on day of purchase. Redeem now through 2/9 at the FSCJ Artist Series box office and, after that, starting one hour prior to performance on the day of show at Times-Union Center Will Call box office. Must purchase together to sit together. Discount reflects merchant's current ticket prices, which may change. ADA seating cannot be guaranteed. Contact box office prior to purchase for availability at (904) 442-2929. Ticket value includes all fees. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.

The Deal

  • $45 for one ticket for balcony center seating in rows HHH – RRR
  • $51-54 for one ticket for seating in rows AA–JJ of the second orchestra sides or rows AAA–GGG of the loge (up to $88.50 value)

Click to view the seating chart

Dates and Times

  • Wednesday, February 10, at 7:30 p.m.
  • Thursday, February 11, at 1:30 p.m. or 7:30 p.m.
  • Friday, February 12, at 8 p.m.
  • Sunday, February 14, at 7 p.m.
  • Tuesday, February 16, at 7:30 p.m.
  • Wednesday, February 17, at 7:30 p.m.
  • Thursday, February 18, at 7:30 p.m.
  • Sunday, February 21, at 7 p.m.

The Phantom of the Opera

Those who have sung Andrew Lloyd Webber’s haunting score in the shower know the story by heart. The Phantom—a scholar, musician, and genius with a horrible disfigurement—hides himself away, lurking about the opera house in a mask and terrorizing the company he once held dear.

But then he falls in love. The company takes on a beautiful dancer, Christine, and the Phantom begins coaching and wooing her from the shadows until she becomes a singing sensation. As with most tragic romances, chandeliers fall and the body count rises.

In this reimagined production, featuring advanced pyrotechnics, a brand new set design, and new iconic falling chandelier, The Voice finalist Chris Mann dons the half-mask of the Phantom. He sends goosebump waves through the audience with a “rich tone [that] has enough pop edge to feel relevant today,” according to the Tampa Bay Times. Katie Travis brings to the role of Christine all of the depth of emotion she showed in such roles as Kate McGowan in Titanic and Emma Carew in Jekyll and Hyde. The music of the night comes courtesy of acclaimed producer Cameron Mackintosh—the man behind Broadway gems including Les Miserables, Cats, and Miss Saigon—and audiences will also find lavish new sets and choreography.

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