Boston Chamber Music Society

Sanders Theatre - Harvard University

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In a Nutshell

Acclaimed chamber ensemble performs works by Mozart and others

The Fine Print

Promotional value expires May 18, 2014. Limit 8 per person. Valid only for option purchased. Redeem starting day of show for a ticket at venue will-call Must show valid ID matching name on Groupon at Sanders Theatre. Refundable only on day of purchase. Must purchase together to sit together. Discount reflects Boston Chamber Music Society's current ticket prices-price may differ on day of the event. Doors open 30 minutes before showtime. For ADA accommodations, call box office promptly upon receipt of voucher - availability is limited. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.

The Deal

  • One ticket to a Boston Chamber Music Society concert
  • Where: Sanders Theatre
  • Ticket values include all fees.

Performance Options

  • Mozart, Mendelssohn, Françaix on Sunday, May 18, at 7:30 p.m. Doors open at 7 p.m.

Seating Options

  • $16 for balcony sections A, B, G, or F, or mezzanine sections A, B, G, or F (up to $27 value)
  • $23 for premium balcony sections B–F, or mezzanine sections C–E (up to $38 value)
  • Click here to view the seating chart.

Concerts by the Boston Chamber Music Society

Mozart, Mendelssohn, Françaix (May 18)
Mozart’s delightfully mischievous Horn Quintet commences the performance, followed by Mendelssohn’s witty Piano Sextet. The season finale ends with Françaix’s Octet for Winds and Strings, best described in the composer’s words as “music for pleasure!

Boston Chamber Music Society

The Boston Chamber Music Society was founded by some of the biggest music fans around: musicians. In 1982, cellists Bruce Coppock and Ronald Thomas brought together an ensemble of passionate, skilled instrumentalists, forming an organization that would eventually present one of New England’s longest-running chamber music series. While the company’s longevity is impressive, its range is not to be ignored, with performances of Baroque-era standards and commissioned compositions appearing side-by-side on programs. Together, the ensemble showcases some of the finest pieces of chamber music with a collaborative spirit developed over more than 30 seasons, resulting in technically dazzling performances and almost no rosin-sharing disputes.

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