All reviews are from people who have redeemed deals with this merchant.
What You'll Get
- $80 for two tickets for rear-mezzanine seating (up to $151.60 value)
- $100 for two tickets for main-floor seating (up to $193.10 value)
- Click to view the seating chart
Anderson Ponty Band
- The Anderson: Jon Anderson, the lead singer and songwriter of prog-rock giants Yes and the solo artist behind 14 studio albums
- The Ponty: Jean-Luc Ponty, the jazz-fusion artist whose collaborations with Frank Zappa and virtuosic violin skills have earned him star status
- Their band: a sextet that includes members who have played with Bryan Adams, Pink, Tom Jones, and Michael Jackson
- What Anderson says about Ponty: “A breakthrough feeling came as I sang with Jean-Luc’s music.”
- What Ponty says about Anderson: “…with Jon’s creative input we are not just rehashing the past but giving a new life to the music we started developing decades ago.”
- What to expect live: Anderson’s falsetto coiling with Ponty’s furious bowing on tracks from 2015’s Better Late Than Never, which includes a revamped version of Yes’ “Owner of a Lonely Heart”
The Fine Print
Promotional value expires Nov 6, 2015. Limit 8/person. Valid only for option purchased. Redeem on 11/6 for a ticket at venue box office. Refundable only on day of purchase. Must redeem together to sit together. Discount reflects Ticketmaster's current ticket prices, which may change. ADA seating cannot be guaranteed. Contact box office prior to purchase for availability. Ticket value includes all fees. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.
About Detroit Music Hall Center for the Performing Arts
Built in 1928, Detroit Music Hall Center for the Performing Arts dazzles patrons with an ornate art-deco façade and lush Spanish Renaissance interior. Elegant columns, glittering chandeliers, and vibrant geometric patterns create a palatial atmosphere in the lobby. The auditorium's intimately arranged velvet seats leave every viewer within 70 feet of the stage, eliminating the need for binoculars or drawn-out games of telephone describing the onstage action.