"Bullets Over Broadway"

Schuster Center

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In a Nutshell

Tony-winner Susan Stroman transforms Woody Allen’s 1920s tale of playwrights and gangsters into a musical farce

The Fine Print

Promotional value expires Nov 8, 2015. Limit 8/person. Valid only for option purchased. Redeem on day of show for a ticket at venue box office. Refundable only on day of purchase. Must purchase together to sit together. Discount reflects merchant's current ticket prices, which may change. ADA seating cannot be guaranteed. Contact box office prior to purchase for availability. Ticket value includes all fees. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.

The Deal

  • Available dates: Tuesday, November 3 (8 p.m.) | Wednesday, November 4 (8 p.m.) | Thursday, November 5 (8 p.m.) | Saturday, November 7 (2 p.m.) | Sunday, November 8 (7:30 p.m.)
  • $40—$45 for front lower-balcony seating (up to $69 value)
  • $50—$57 for rear-orchestra seating (up to $87 value)
  • Click to view the seating chart

Ticket prices and values vary depending on the date and showtime you select.

Bullets over Broadway

Every artist has to sacrifice some integrity to find success, but in 1928, idealistic playwright David Shayne is about to lose the only morals he has left. Sure, he’s found a backer to produce his very serious play, Gods of Our Fathers, on Broadway. But that backer is mob boss Nick Valenti, who insists that his moll Olive gets a big role in the play. Nick’s the guy you say “no” to if you like wearing cement shoes, and the grating Olive is about as talented as a cement sock. It doesn’t help that the cast and crew loathe the neurotic David and his play, and that the lead actor seems insistent on eating himself to death. But that’s just the beginning of David’s artistic compromises—he soon finds himself engaging in an affair with the lead actress, and even taking credit for someone else’s words. As the formerly proud artist falls further from his lofty ideals, the situation devolves into one very funny downward spiral.

Based on the screenplay of the award-winning film, Bullets over Broadway marks a landmark collaboration between writer Woody Allen and Tony-acclaimed director and choreographer Susan Stroman. It also pops with classic tunes from the ’20s and ’30s. Jazz standards such as “Gee, Baby, Ain’t I Good to You” and “I’m Sitting on Top of the World” weave throughout the script, adding levity and fuel for shimmying dance numbers.

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