- $39 for side orchestra seating on Tuesdays, Wednesdays, and Thursdays at 8 p.m. (up to $65 value)
- $49 for mid- and rear-orchestra seating on Tuesdays, Wednesdays, and Thursdays at 8 p.m. (up to $85 value)
- $49 for side orchestra seating on Fridays and Sundays (up to $69 value)
- $59 for mid- and rear-orchestra seating on Fridays and Sundays (up to $89 value)
- Click here to view dates, times, and seating charts
Bullets over Broadway
Every artist has to sacrifice some integrity to find success, but in 1928, idealistic playwright David Shayne is about to lose the only morals he has left. Sure, he’s found a backer to produce his very serious play, Gods of Our Fathers, on Broadway. But that backer is mob boss Nick Valenti, who insists that his moll Olive gets a big role in the play. Nick’s the guy you say “no” to if you like wearing cement shoes, and the grating Olive is about as talented as a cement sock. It doesn’t help that the cast and crew loathe the neurotic David and his play, and that the lead actor seems insistent on eating himself to death. But that’s just the beginning of David’s artistic compromises—he soon finds himself engaging in an affair with the lead actress, and even taking credit for someone else’s words. As the formerly proud artist falls further from his lofty ideals, the situation devolves into one very funny downward spiral.
Based on the screenplay of the award-winning film, Bullets over Broadway marks a landmark collaboration between writer Woody Allen and Tony-acclaimed director and choreographer Susan Stroman. It also pops with classic tunes from the ’20s and ’30s. Jazz standards such as “Gee, Baby, Ain’t I Good to You” and “I’m Sitting on Top of the World” weave throughout the script, adding levity and fuel for shimmying dance numbers.