What You'll Get
- $35 for one G-Pass for seating in the left or right orchestra or rows B–E of the balcony (up to $60.33 value)
- $45 for one G-Pass for seating in the center orchestra or row A of the balcony (up to $83.81 value)
- Click here to view the seating chart
How G-Pass Works: Your G-Pass will be ready to print 48 hours after the deal ends. Print the G-Pass and use it to enter the venue directly; you won’t need to redeem at will call. Due to security restrictions, G-Passes cannot be redeemed through the mobile app. Discount reflects the merchant’s current ticket prices - price may differ on day of event.
Had Shakespeare lived to see Carolina Ballet’s Love Speaks, he might have compared it to a summer’s day—and included an extra stanza to describe the pirouettes. The program, which commemorates the 400th anniversary of the Bard’s final bow, finds the esteemed company interpreting his love sonnets through dance, transforming literal poetry into physical poetry. Choreography by Carolina Ballet’s Principal Guest Choreographer Lynne Taylor-Corbett captures the author’s trademark emotions—lovesickness, longing, and euphoria—and accentuates it all with a score of era-appropriate Baroque music by Vivaldi, Corelli, and Purcell.
The Fine Print
Expiration varies. Limit 8/person. Valid only for option purchased. Refundable only on day of purchase. Must purchase together to sit together. Merchant reserves right to substitute closer seat. ADA seating cannot be guaranteed; contact box office prior to purchase for availability. Holder assumes all risk in connection with the event and releases Groupon and its affiliates, Ticketmaster, venue and their affiliates from any related claims. Not redeemable on mobile app. Ticket value includes all fees. Discount reflects Ticketmaster's current ticket prices, which may change. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.
About Carolina Ballet
Carolina Ballet has continuously awed audience members with classic pieces such as Carmen, The Nutcracker, and Swan Lake. Artistic director Robert Weiss helms the graceful outfit, often staging his own choreography. Symposium was particularly memorable for its use of “Serenade” by Leonard Bernstein and its finale.