What You'll Get
- $12 for rear left or right orchestra or left or right balcony (up to $24 value)
- $14 for left or right orchestra (up to $29 value)
- $17 for front orchestra or center balcony (up to $34 value)
- Click to view the seating chart
Dallas Chamber Symphony: Buster Keaton’s The Goat
- The Concept: the orchestra performs a live, original score by film composer Jon Kull (whose credits include Avatar and Maleficent) in synchronicity with Buster Keaton’s classic comedy, The Goat
- The Film: After Buster—a master of being in the wrong place at the wrong time—winds up on a “wanted” poster because he stood near a photographer, he’s goes on the lam from the coppers and gangsters, and falls in love along the way. It’s 27 minutes of screwball bliss, featuring the iconic shot where Buster wakes up in front a real speeding train
- Highlights: The Symphony warms up the audience with lively works from Hindemith and Moravec, and composer Jon Kull makes an appearance
The Fine Print
Promotional value expires Feb 16, 2016. Limit 8/person. Valid only for option purchased. Redeem on 2/16 for a ticket at venue box office. Refundable only on day of purchase. Must purchase together to sit together. Discount reflects merchant's current ticket prices, which may change. ADA seating cannot be guaranteed; contact box office prior to purchase for availability. Ticket value includes all fees. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.
About Dallas Chamber Symphony
Beyond the glowing plate glass of the Dallas City Performance Hall, the Dallas Chamber Symphony is often hard at work devising ever-more-intriguing ways to welcome people into the world of symphonic music. Its director often places the symphony's talents against the canvas of live silent-film screenings, dance performances, and other media, along with the more usual work of pairing well-known pieces with contemporary compositions. Beyond concerts, the group also reaches out to the community by sponsoring musical competitions, holding pre-concert talks, and tossing staff-paper airplanes into open windows.