- One G-Pass to Danger at My Door starring Vivica A. Fox and Bern Nadette Stanis
- Where: Detroit Opera House
- Seating: balcony
- Door time: one hour before showtime
- Ticket values include all fees.
- Click here to view the seating chart
- $28 for the performance on Thursday, October 2, at 8 p.m. (up to $47.95 value)
- $28 for the performance on Friday, October 3, at 8 p.m. (up to $47.95 value)
- $27 for the performance on Saturday, October 4, at 3 p.m. (up to $45.40 value)
- $33 for the performance on Saturday, October 4, at 8 p.m. (up to $56.10 value)
- $27 for the performance on Sunday, October 5, at 3 p.m. (up to $45.40 value)
- $33 for the performance on Sunday, October 5, at 8 p.m. (up to $56.10 value)
How G-Pass Works: Your G-Pass will be ready to print 48 hours after the deal ends. Print the G-Pass and use it to enter the venue directly; you won’t need to redeem at will call. Due to security restrictions, G-Passes cannot be redeemed through the Groupon mobile app. Discount reflects the merchant’s current ticket prices - price may differ on day of event.
Danger at My Door
Separated by a lifetime of choices good and bad, childhood friends Clarita Dickerson and Sharon Cole are thrust back together when Sharon shows up on Clarita’s front step. Sharon needs a place to stay, and Clarita lets her in despite the warnings of her live-in mother-in-law. She probably should have listened. All too soon, Sharon is bringing troublemakers from her old life into the house, and making schemes to profit from Clarita’s generosity.
Written and directed by Michael Matthews, this gospel musical spins a tale of morality and consequences with gripping drama and original songs. Film and television actors Vivica A. Fox and Bern Nadette Stanis star in the production, along with Dove- and Stellar-nominated singer Earnest Pugh, legendary Clark sister Jacky Clark-Chisholm, Reginald Ballard from Martin, and international gospel singer Karl Reid.
Detroit Opera House
The Detroit Opera House sprawls across an entire city block, its imposing size and elegant design belying its circuitous history. Originally opened in 1922 as a vaudeville palace—and designed by the renowned architect behind the city’s Fillmore and Fox theaters—the space played host to live music and recorded films. But despite the venue’s remarkable acoustics and cheery demeanor, it sat abandoned for long stretches of time over the next few decades. Luckily, fate intervened in 1988 when the opera acquired the building, starting an ambitious remodeling project that culminated in an opening gala featuring Luciano Pavarotti. The opera house’s modern iteration mimics the design of Europe’s greatest performance spaces, with an the ornate main hall adorned with vaulted ceilings and sumptuous red curtains.