- $38 for one ticket to see Engelbert Humperdinck (up to $81.78 value)
- When: Thursday, May 8, at 7:30 p.m.
- Where: Pabst Theater
- Seating: main-floor rows T–W or balcony rows A–F
- Door time: 6:30 p.m.
- Ticket values include all fees.
- Click to view the seating chart.
- Complimentary pre-show Door Peninsula wine sampling
- How you know him: as the crooner who for years contended with Tom Jones for the crown of Las Vegas lounge
- Who won that contest: hard to say, but Humperdinck took the title of the “King of Romance”
- His other names: Arnold George Dorsey (his birth name), Gerry Dorsey (his original stage name)
- Where he got “Engelbert Humperdinck”: he borrowed it from a 19th century German opera composer
- The modern Humperdinck’s classics: “After the Lovin’,” “Release Me,” “The Last Waltz”
- His most recent release: Engelbert Calling, an album of classic duets, including “Ain’t That Peculiar,” “You’ve Really Got A Hold On Me,” and “Spanish Eyes”
- Duet partners: Elton John, Il Divo, Smokey Robinson, Wynonna Judd, Olivia Newton-John, Il, Willie Nelson, Gene Simmons, and many others
- His most tragic missed connection: the Gorillaz tapped him for their album Plastic Beach, but Humperdinck’s agent declined without informing the singer
- What Humperdinck had to say about that, according to Undercover: “[It was] the most grievous sin that had ever been committed . . . . I’d really like to rekindle that suggestion . . . . Hopefully they will ask me again.”
- What the Gorillaz had to say about it: “Hoo hoo ha ha!”
Captain Frederick Pabst contributed to Milwaukee’s status as a cultural landmark of the upper Midwest by building Pabst Theater, formally known as Das Neue Deutsche Stadt-Theater, in 1895. According to legend, when he was informed that his theater had burned to the ground, the brewing magnate interrupted his European vacation to wire home the order to “Rebuild at once!”—and 11 months later, the stage was completed anew. Where the old theater honored German artists by having their names inscribed along the cornice of the auditorium, the new building featured an international consortium of cultural notables. The theater’s globe-spanning influences were made even more apparent with the installation of an Austrian crystal chandelier and an Italian marble staircase.