- One ticket to see Rodney Carrington
- When: Sunday, February 22, at 7 p.m
- Where: Genesee Theatre
- Door time: 6 p.m.
- Full offer value includes ticketing fees
- $30 for orchestra, rows P–DD (up to $59.20 value)
- $30 for loge, rows A–H or mezzanine, rows J–P (up to $59.20 value)
- Click to view the seating chart
Warning: contains vulgar material, vulgar audience behavior, and Freudian subtext
- Where you’ve seen him: if you’re lucky, at one of his sold out shows
- If you haven’t seen him live: you watched him steal the show as Toby Keith’s sidekick in the movie Beer for My Horses, and in the ABC sitcom Rodney
- What’s his schtick?: standup fused with catchy country tunes
- His lyrical style: imagine a libidinous, Oklahoman version of Mel Brooks
- Does he have any songs that aren’t funny?: very few, but they include the ironically titled hit “Funny Man”
- How many albums he’s released: seven studio albums, including 2014’s Laughter’s Good
- About half: the portion of those album titles that make reference to organs that are usually covered up
- Although he focuses on procreative body parts in his act, Rodney’s biggest organ is his heart, which he uses to benefit the needy with his Rodney Carrington Foundation
Genesee Theatre began its life with a sellout. Opening its doors on Christmas Day 1927, it welcomed audiences to four sold-out movie screenings, but those flickering stories weren't the only attraction. A $25,000 pipe organ—and that's in old-timey dollars—immediately caught the eye, while Italian marble, a stunning chandelier, and the building's Spanish Renaissance–style architecture dazzled.
Over the years, many changes occurred, the glamorous quotient rising or dipping with the times and the theater closing altogether in 1989. But when it reopened again in 2004, it was back in full force. Antique chandeliers and fixtures of the period had been brought in from around the country, the luxe carpet had been re-created from a 1927 photograph, and all the dust bunnies had been sent packing with generous severance packages. Yet not all the updates were of the old-fashioned sort: the stage was doubled in size, and cutting-edge technology was brought in to give the theatre's high-voltage visitors, from comedians to musicians, the star treatment.