Catchy rock songs often have a blazing guitar riff, a sing-along chorus, and subliminal messages about getting out of your small town. Get hooked with this GrouponLive deal.
- $8 for one G-Pass to see With or Without U2: A Tribute to U2 and Le Cure: A Tribute to the Cure (up to a $16.33 value)
- When: Saturday, May 25, at 9 p.m.
- Where: House of Blues Dallas
- Section: standing-room only general admission
- Door time: 8 p.m.
- Ticket values include all fees.
- Click here to view a floorplan.
How G-Pass Works: Your G-Pass will be ready to print 48 hours after the deal ends. Print the G-Pass and use it to enter the venue directly; you won't need to redeem at will call. Due to security restrictions, G-Passes cannot be redeemed through the Groupon mobile app.
With or Without U2: A Tribute to U2
With or Without U2 brings the group’s massive arena sound to more intimate venues. Barak Alexander Seguin slips into Bono’s distinctive leather jacket and wraparound shades, energetically roaming the stage and anchoring the harmonies of Chris Mcuin (The Edge), Jody English (Adam Clayton), and Alan Musico (Lary Mullen Jr.). Among the set of euphoria-triggering picks, expect to hear such hits as “Sunday Bloody Sunday,” “New Year’s Day,” and “Where the Streets Have No Name.”
Le Cure: A Tribute to the Cure
In many ways, Le Cure bears an extraordinary visual resemblance to its moody rock forebear, right down to lead singer Mark Hernandez’s heavy eyeliner and brambly hair. But it’s unclear if Robert Smith ever wore a bunny costume at any of his gigs. With a winning combination of reverence to their source and their own on-stage flair, Le Cure treats audiences to favorites that might include “Why Can’t I Be You?” and “Lovesong.”
House of Blues Dallas
To keep the spirit of its musical roots ever near, House of Blues Dallas keeps a metal box of mud from the Delta Mississippi beneath its stage. Summoning the spirit and raw grit contained therein, local and national performers enliven the venue’s wood-laden auditorium, lined with art such as Alan Sainte James Boudrot’s A Dream Come True. The historic White Swan building, a remnant of the 1920s coffee-processing plant, hosts this mix of traditional and contemporary, adding its open architecture to every show.