Acclaimed British bluesman and his band join the soulful electric blues singer called “devastatingly powerful” by the Chicago Sun-Times
The Fine Print
Promotional value expires Feb 21, 2016.Limit 8/person. Valid only for option purchased. Redeem on 2/21 for a ticket at venue box office. Refundable only on day of purchase. Must purchase together to sit together. Discount reflects merchant's current ticket prices, which may change. ADA seating cannot be guaranteed; contact box office prior to purchase for availability. Ticket value includes all fees. Must be 13+.Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.
$16 for one ticket for orchestra seating (up to $30.28 value)
$25 for one ticket for preferred seating (up to $42.64 value)
When you most likely first heard James Hunter: on the British bluesman’s 2006 debut album People Gonna Talk, which earned him critical praise and famous fans including Sharon Jones and Allen Toussaint
What he was doing before that: singing backup vocals on Van Morrison’s tours in the ’90s, busking, and working as a West London laborer
What he’s been doing since: capturing his raspy, throwback sound alongside his bandmates on live stages, taxidermied stages, and several albums. His latest, 2015’s Hold On, was produced by Gabriel Roth, who declares of Hunter, “his songwriting shares the masterful architecture and the inspired creativity of Smokey Robinson, each rhyme and rhythm crafted meticulously, somehow twisting familiar themes into unfamiliar new shapes.”
How soul-tinged electric blues singer Shemekia Copeland got her start: singing at the Cotton Club at age 10 and touring as the opening act for her dad, Texas blues artist Johnny Clyde Copeland
How the Chicago Sun-Times describes her: “Shemekia’s a ball-of-fire vocalist with a voice that’s part Memphis, part Chicago, and all woman…devastatingly powerful.”
Proof of that devastatingly powerful sound: all over the genre-bending Outskirts of Love, her 2015 album that pummels the senses with roots-rock, country, blues, and lyrics that tackle social ills
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