"Love, Loss, and What I Wore" at Lyceum Theatre on February 25–March 22 (Up to 36% Off)
Similar deals
Based on bestselling book adapted by rom-com screen scribe Nora Ephron, five actors voice vignettes about clothes & their secret stories
The Deal
- $38–$44 for one ticket to Love, Loss, and What I Wore (up to $68.50 value)
- When: February 25–March 22
- Where: Lyceum Theatre
- Seating: premier
- Door time: one hour before showtime
- Full offer value includes ticketing fees
- Click here to view the seating chart
Love, Loss, and What I Wore
Based on Ilene Beckerman’s bestselling book and set on stage by screen scribes Delia Ephron and the late, great Nora Ephron, Love, Loss, and What I Wore unfolds the poignant and funny stories behind the clothes women wear. One hundred minutes of stories about fitting-room afflictions, bra-buying trauma, and coping with mascot-costume separation anxiety fill an experience that the New York Times describes as “a big bowl of buttered popcorn.” At times heartwarming, at others heartbreaking, Ephron’s loosely knit network of narratives aimed at ladies and their allies aged 11 and older shows the wry but gentle touch seen in her films When Harry Met Sally and Sleepless in Seattle.
Based on bestselling book adapted by rom-com screen scribe Nora Ephron, five actors voice vignettes about clothes & their secret stories
The Deal
- $38–$44 for one ticket to Love, Loss, and What I Wore (up to $68.50 value)
- When: February 25–March 22
- Where: Lyceum Theatre
- Seating: premier
- Door time: one hour before showtime
- Full offer value includes ticketing fees
- Click here to view the seating chart
Love, Loss, and What I Wore
Based on Ilene Beckerman’s bestselling book and set on stage by screen scribes Delia Ephron and the late, great Nora Ephron, Love, Loss, and What I Wore unfolds the poignant and funny stories behind the clothes women wear. One hundred minutes of stories about fitting-room afflictions, bra-buying trauma, and coping with mascot-costume separation anxiety fill an experience that the New York Times describes as “a big bowl of buttered popcorn.” At times heartwarming, at others heartbreaking, Ephron’s loosely knit network of narratives aimed at ladies and their allies aged 11 and older shows the wry but gentle touch seen in her films When Harry Met Sally and Sleepless in Seattle.