What You'll Get
The Deal
- $25 for one G-Pass to see Orchestra Toronto: Con Brio! (up to $50 value)
- When: Sunday, May 31, at 3 p.m.
- Where: George Weston Recital Hall at the Toronto Centre for the Arts
- Seating: reserved
- Door time: 2 p.m.; a pre-show chat starts at 2:15 p.m.
- Full offer value includes ticketing fees
- Click to view the seating chart
How G-Pass Works: Your G-Pass will be ready to print 48 hours after the deal ends. Print the G-Pass and use it to enter the venue directly; you won’t need to redeem at will call. Due to security restrictions, G-Passes cannot be redeemed through the mobile app. Discount reflects the merchant’s current ticket prices - price may differ on day of event.
The Program
- The Theme: vigor, vivacity, and vitality, all words that encompass the Italian “brio”
- The Music: John Estacio’s Brio Tocatta and Fantasy for Orchestra, an undulating three-movement piece dedicated to the composer’s late friend and fellow composer, Malcolm Forsyth; Gustav Mahler’s Symphony No. 1, a sweeping four-movement symphony noted for its revisions and varied themes
- The Guest Soloist: Winona Zelenka, who brings Edward Elgar’s Cello Concerto to life on stage
The Fine Print
Promotional value expires May 31, 2015. Limit 8 per person. Use for admission at George Weston Recital Hall at the Toronto Centre for the Arts on 5/31. Refundable only on day of purchase. Must purchase together to sit together. Doors open 1 hour before showtime. Merchant reserves the right to substitute closer seat assignment. For disability accommodations, call box office immediately after purchase - availability is limited. Holder assumes all risk in connection with the event and releases Groupon and its affiliates, Ticketmaster, the venue and their affiliates from any related claims. Not redeemable on mobile app. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.
About Orchestra Toronto
Orchestra Toronto's inaugural 1955 season got right to the point. It had, after all, only one concert. That concert, however, made such an impact that the dedicated 55-member company, then known as The Bennington Heights Community Orchestra, continued to perform until 1998, when it put its magical rings together and changed its name to Orchestra Toronto. The largest distinction between Orchestra Toronto and other ensembles: it's truly a community project, corralling volunteer musicians and a few paid professionals to make up its 90-member team and deliver everything from Mendelssohn symphonies to flamenco concerts.