The Nutcracker dazzles children’s eyes, but it also confirms their deep suspicion that toys come to life, even when no one is looking or poking them repeatedly with cattle prods. Feel the season’s electricity with this GrouponLive deal to see The Nutcracker, performed by the Oregon Ballet Theatre at the Keller Auditorium. For $32, you get one G-Pass for second-balcony seating (up to a $64 value, including all fees). Choose from the following dates:
- Sunday, December 9. Choose between the 2 p.m. and 7:30 p.m. performances.
- Friday, December 14, at 7:30 p.m.
- Sunday, December 16. Choose between the 2 p.m. and 7:30 p.m. performances.
- Wednesday, December 19, at 7:30 p.m.
- Thursday, December 20, at 7:30 p.m.
- Friday, December 21, at 7:30 p.m.
- Sunday, December 23, at 2 p.m.
Doors open one hour before showtime. Because the ticket is a G-Pass, Groupon customers can use it to enter the venue directly; they will not need to redeem their Groupon at will call.
Based on a novel by the 19th-century romantic fabulist E.T.A. Hoffmann, The Nutcracker weaves a magical tale of holiday adventure. Clara, the story's heroine, receives a nutcracker from her godfather, a wizardly toymaker named Drosselmeyer. Sneaking downstairs to see the toy after everyone else has gone to bed, Clara suddenly finds herself caught in the middle of a pitched battle between the toys and an army of mice. After saving the nutcracker with a well-thrown shoe to the Mouse King's head, Clara and her now-living prince venture into the Land of Snow and the Land of Sweets to celebrate amid the dances of nimble snowflakes, the regal Sugar Plum Fairy, and seasonally confused vampires.
Oregon Ballet Theatre
Since debuting in 1989, the Oregon Ballet Theatre has built its reputation on two seemingly opposed elements: strict balletic classicism and newly commissioned works. Now the theatre enters a new era under artistic director Kevin Irving, whose background spans both classical and contemporary performances. As a dancer, Irving appeared with scores of companies, including the Alvin Ailey Training Ensemble and Elisa Monte Dance Company. In 1994, he retired from the stage to take a position as ballet master and head of the artistic department with Nacho Duato’s Compañia Nacional de Danza in Spain. Irving looks to take the Oregon Ballet Theatre to new heights, riffing off rave reviews from the Oregonian's Bob Hicks, who wrote that the theatre's Swan Lake is “a work of sumptuous geometric balances that echo the story's mirror-image theme.”