- $35–$45 for one G-Pass for balcony seating (up to $108.90 value)
- $25 for one G-Pass for orchestra seating (up to $65.70 value) Available for October 15 performance
- Click here to view the seating chart
- At 2 p.m. on Sunday, October 11
- At 7:30 p.m. on October 10, 15, 16, or 17
- Available promotion: The October 15 performance is part of the Blue Ribbon Society, wherein an intermission party will offer up free PBR tall boys, snacks, prize giveaways, and crash courses in ballet.
Ticket prices and values vary depending on the date and showtime you select.
How G-Pass Works: Your G-Pass will be ready to print 48 hours after the deal ends. Print the G-Pass and use it to enter the venue directly; you won’t need to redeem at will call. Due to security restrictions, G-Passes cannot be redeemed through the Groupon mobile app. Discount reflects the merchant’s current ticket prices - price may differ on day of event.
- Amore Italiano’s Geographic Spotlight: Southern Italy
- The OBT Premiere: August Bournonville’s Napoli Act III, wherein a betrothed couple contend with rumors of demonic influence and prove them all wrong in a barn-burning tarantella
- The World Premiere: James Kudelka’s Sub Rosa, a reinterpretation of the music of Don Carlo Gesualdo, a Renaissance composer who was more than musical royalty—he was the Prince of Venoza and Count of Conza
- The Opening Act: Italian classics interpreted by Portland violinist Aaron Meyer and his six-piece ensemble
Oregon Ballet Theatre
Since debuting in 1989, the Oregon Ballet Theatre has built its reputation on two seemingly opposed elements: strict balletic classicism and newly commissioned works. Now the theatre enters a new era under artistic director Kevin Irving, whose background spans both classical and contemporary performances. As a dancer, Irving appeared with scores of companies, including the Alvin Ailey Training Ensemble and Elisa Monte Dance Company. In 1994, he retired from the stage to take a position as ballet master and head of the artistic department with Nacho Duato’s Compañia Nacional de Danza in Spain. Irving looks to take the Oregon Ballet Theatre to new heights, riffing off rave reviews from the Oregonian's Bob Hicks, who wrote that the theatre's Swan Lake is "a work of sumptuous geometric balances that echo the story's mirror-image theme."