The Nutcracker dazzles children’s eyes, but it also confirms their deep suspicion that toys come to life, even when no one is looking or poking them repeatedly with cattle prods. Feel the season’s electricity with this GrouponLive deal to see the Saint Louis Ballet present The Nutcracker at Touhill Performing Arts Center. Choose from the following seating options:
- For $24, you get one ticket for parterre seating (a $48 value).
- For $27, you get one ticket for orchestra seating (a $54 value).
Next, choose from the following showtimes:
- Friday, December 14, at 7 p.m.
- Saturday, December 15, at 2:30 p.m. or at 7 p.m.
- Sunday, December 16, at 2:30 p.m.
- Wednesday, December 19, at 7 p.m.
- Thursday, December 20, at 2:30 p.m. or at 7 p.m.
- Friday, December 21, at 2:30 p.m. or at 7 p.m.
- Saturday, December 22, at 2:30 p.m. or at 7 p.m.
- Sunday, December 23, at 2:30 p.m. or at 7 p.m.
Doors open 30 minutes before showtime.
Based on a novel by the 19th-century romantic fabulist E.T.A. Hoffman, The Nutcracker weaves a magical tale of holiday adventure. Clara, the story's heroine, receives a nutcracker from her godfather, a wizardly toymaker named Drosselmeyer. Sneaking downstairs to see the toy after everyone else has gone to bed, Clara suddenly finds herself caught in the middle of a pitched battle between the toys and an army of mice. After saving the nutcracker with a well-thrown shoe to the Mouse King's head, Clara and her now-living prince venture into the Land of Snow and the Land of Sweets to celebrate amid the dances of nimble snowflakes, the regal Sugar Plum Fairy, and seasonally confused vampires.
Tchaikovsky’s score features some of the most recognizable tunes in the repertoire, repurposed beyond the ballet world in works including Disney's Fantasia, which naturally chose to illustrate the music’s delicate beauty with dancing mushrooms and leaping radishes. Notable sections include the “Waltz of the Snowflakes,” which floats weightlessly above the angelic voices of a youth choir, and the second act's medley of exotic national dances, including a Spanish bolero and Russian Trepak. The music-box-like theme of the “Dance of the Sugarplum Fairy” springs from a celesta, a new instrument Tchaikovsky came across in Paris and hurriedly inserted into the score before his musical rivals could make use of its haunting, bell-like sound.