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What You'll Get
The Nutcracker dazzles children’s eyes, but it also confirms their deep suspicion that toys come to life, even when no one is looking or poking them repeatedly with cattle prods. Feel the season’s electricity with this deal.
- One G-Pass to see San Antonio Symphony presents The Nutcracker, featuring Ballet San Antonio and live orchestral music performed by the San Antonio Symphony
- When: Friday, November 29, at 7 p.m. or Sunday, December 1, at 2 p.m.
- Where: Majestic Theatre
- Door time: one hour before showtime
- Ticket values include all fees.
- Click here to view the seating chart.
- Click here to view all available seating options.<p>
How G-Pass Works: Your G-Pass will be ready to print 48 hours after the deal ends. Print the G-Pass and use it to enter the venue directly; you won’t need to redeem at will call. Due to security restrictions, G-Passes cannot be redeemed through the mobile app.<p>
Based on a novel by 19th-century romantic fabulist E.T.A. Hoffman, The Nutcracker weaves a magical tale of holiday adventure around one of the most recognizable scores in the ballet repertoire. It begins when young Clara receives a nutcracker from her godfather, a wizardly toymaker named Drosselmeyer. Sneaking downstairs to see the toy after everyone else has gone to bed, she suddenly finds herself caught in the middle of a pitched battle between the toys and an army of mice. After saving the nutcracker with a well-thrown shoe to the Mouse King’s head, Clara and her now-living prince venture into the Land of Snow and the Land of Sweets to celebrate. Throughout their adventures, Tchaikovsky’s dazzling inventiveness propels the dances of nimble flowers, regal fairy queens, and seasonally confused vampires. The “Waltz of the Snowflakes” floats weightlessly above the angelic voices of a youth choir, whereas the “Dance of the Sugarplum Fairy” tiptoes to the haunting, music-box chimes of a celesta. A medley of exotic national dances—including a Spanish bolero and Russian Trepak—add to the phantasmagoric celebration before the whole dream ends, as all dreams must.<p>
Initially unpopular when it premiered in Russia, The Nutcracker languished for decades with a reputation as one of Tchaikovsky’s lesser works. Then, in the 1950s, the ballet’s status as a fixture of the holiday season began to grow as suddenly as Clara’s magic Christmas tree when renowned American choreographer George Balanchine staged it for the New York Ballet. Balanchine’s elegant staging remains the most popular, alternating between breathtaking displays of balletic mastery by soloists and duos and large-scale set pieces that fill the stage with luminous costumes.
The Fine Print
Expiration varies. Limit 8 per person. Valid only for option purchased. G-Pass not redeemable with mobile app. Use for admission at Majestic Theatre on day of show. Must show valid ID matching name on voucher\. Refundable only on day of purchase. Must purchase together to sit together. Discount reflects Ticketmaster's current ticket prices - price may differ on day of event. Doors open 1 hour before showtime. Merchant reserves the right to substitute closer seat assignment. For ADA accommodations, call box office promptly upon receipt of voucher - availability is limited. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.
About San Antonio Symphony
Although symphonic concerts could be heard in San Antonio all the way back in the 1880s, the formation of the San Antonio Symphony—the city's first formal orchestra—didn't happen until 1939. It was then that Max Reiter, a native of Italy, was forced from his career and home by a freshly established anti-Semitic policy. Reiter boarded a ship for New York, found the city teeming with exiled musicians like himself, and therefore purchased a train ticket to the South. There, San Antonio's leaders invited Reiter to conduct a demonstration concert for a crowd of 2,500. The success of that initial impression led to the formal founding of the Symphony and an inaugural concert just five months later. Today, Sebastian Lang-Lessing stands where Reiter once stood, leading a full ensemble of 75 musicians with a baton hand honed across the globe.