Tafelmusik's "Baroque Misbehaving" at Toronto Centre for the Arts on April 28 (Up to 50% Off)

George Weston Recital Hall

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C$62 50% C$31
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In a Nutshell

Violinist Aisslinn Nosky directs a show of 18th century baroque works and a new commission along the same lines

The Fine Print

Promotional value expires Apr 28, 2015. Limit 8 per person. Redeem on 4/28 for a ticket at Groupon greeting table. Must show valid ID matching name on Groupon at George Weston Recital Hall. Refundable only on day of purchase. Must purchase together to sit together. Discount reflects Ticketmaster's current ticket prices-price may differ on day of the event. Doors open 45 minutes before showtime. For ADA seating, call box office promptly upon receipt of voucher - availability is limited. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.

The Deal

  • One ticket to see Tafelmusik perform Baroque Misbehaving
  • When: Tuesday, April 28, at 8 p.m.
  • Where: George Weston Recital Hall at the Toronto Centre for the Arts
  • Door time: 7:15 p.m.
  • Ticket values include all fees.

Seating Options

  • C$31 for the terrace, rear, or side dress circle sections (up to C$62 value)
  • C$44 for the orchestra, parterre, or front dress circle section (up to C$88.75 value)
  • Click here to view the seating chart

Baroque Misbehaving

  • The Theme: the richly emotional music of the baroque period—and one newly commissioned piece that echoes those works
  • The Curator: Tafelmusik violinist Aisslinn Nosky guest directs, and put together this lineup of mischievous arrangements
  • Her Feelings About Baroque Music: “[What] draws me to me to baroque music is the fact that there is room for the performers to insert their own personalities into the music.”

Tafelmusik Baroque Orchestra and Chamber Choir

Praised by the Toronto Star as “one of the world’s top period-performance orchestras,” the Tafelmusik Baroque Orchestra dazzles music fans with an aural kaleidoscope of euphony. Based out of Toronto’s imposingly grand Trinity-St. Paul’s Centre, the group comprises a choir of angel-voiced singers and a virtuosic chamber orchestra that are dedicated to authentic period performance. An intense commitment to accuracy leads the musicians to adopt centuries-old performance techniques, such as playing only instruments styled after 18th century versions.

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