Aradia Ensemble Presents The Dublin "Messiah" at St. Anne's Church on Saturday, December 20 (Up to 47% Off)
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Vocalists and musicians continue a Toronto tradition by performing Handel’s Messiah the way it was played at its 1742 world premiere
The Deal
- Aradia Ensemble presents The Dublin Messiah
- When: Saturday, December 20, at 7:30 p.m.
- Where: St. Anne’s Church
- General admission
- Door time: 7 p.m.
- Full offer value includes ticketing fees
Ticketing Options
- C$20 for one ticket (up to C$38.09 value)
- C$35 for two tickets (up to C$66.18 value)
The value of this deal is based on regular ticket prices and doesn’t reflect student or senior discounts.
The Dublin Messiah
Handel’s baroque oratorio has gotten audiences in the yuletide spirit for centuries. With its famed Hallelujah Chorus at the center, the work tells the story of the first Christmas using English lyrics, jubilant harmonies, and rich orchestration. But although its melodies and shape-shifting dynamic are part of the piece’s signature, conductors traditionally make the work their own by tailoring and cutting portions. In his presentation of The Dublin Messiah, Aradia Ensemble conductor Kevin Mallon returns to the work’s roots, offering a note-for-note recreation of the oratorio’s 1742 debut.
Featuring four soloists, Aradia’s version has itself become a Toronto tradition. Now in its sixth year, it highlights Handel’s artistic intent while discrediting claims that his only intent was to boogie. During the piece’s debut, its theatricality raised the eyebrows of a few locals—including Gulliver’s Travels author Jonathan Swift. Swift, also a choral leader, said he was reticent to have his singers “assist at a club of fiddlers,” but he, along with other choral fans, came around when they heard how moving the piece truly was.
Vocalists and musicians continue a Toronto tradition by performing Handel’s Messiah the way it was played at its 1742 world premiere
The Deal
- Aradia Ensemble presents The Dublin Messiah
- When: Saturday, December 20, at 7:30 p.m.
- Where: St. Anne’s Church
- General admission
- Door time: 7 p.m.
- Full offer value includes ticketing fees
Ticketing Options
- C$20 for one ticket (up to C$38.09 value)
- C$35 for two tickets (up to C$66.18 value)
The value of this deal is based on regular ticket prices and doesn’t reflect student or senior discounts.
The Dublin Messiah
Handel’s baroque oratorio has gotten audiences in the yuletide spirit for centuries. With its famed Hallelujah Chorus at the center, the work tells the story of the first Christmas using English lyrics, jubilant harmonies, and rich orchestration. But although its melodies and shape-shifting dynamic are part of the piece’s signature, conductors traditionally make the work their own by tailoring and cutting portions. In his presentation of The Dublin Messiah, Aradia Ensemble conductor Kevin Mallon returns to the work’s roots, offering a note-for-note recreation of the oratorio’s 1742 debut.
Featuring four soloists, Aradia’s version has itself become a Toronto tradition. Now in its sixth year, it highlights Handel’s artistic intent while discrediting claims that his only intent was to boogie. During the piece’s debut, its theatricality raised the eyebrows of a few locals—including Gulliver’s Travels author Jonathan Swift. Swift, also a choral leader, said he was reticent to have his singers “assist at a club of fiddlers,” but he, along with other choral fans, came around when they heard how moving the piece truly was.