"The Last Five Years"

Sturges Center For The Fine Arts

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In a Nutshell

Jason Robert Brown’s acclaimed musical moves forwards and backwards in time as it follows a relationship from beginning to end

The Fine Print

Promotional value expires Feb 14, 2016. Limit 6/person. Valid only for option purchased. Reservations required. Redeem on 2/13 for a ticket at venue box office. Refundable only on day of purchase. Must redeem together to sit together. Discount reflects merchant's current ticket prices, which may change. ADA seating cannot be guaranteed; contact box office prior to purchase for availability. Ticket value includes all fees. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.

The Deal

  • $9 for one ticket for balcony seating (up to $18 value)
  • $12 for one ticket for left or right orchestra seating (up to $24 value)
  • $15 for one ticket for center seating (up to $30 value)
  • $18 for one ticket for premier center orchestra seating (up to $36 value)
  • Click here to view the seating chart

Available Performances

  • Saturday, February 13, at 2 p.m.
  • Saturday, February 13, at 8 p.m.

The Last Five Years

“Jamie is over and Jamie is gone,” Cathy sings at the beginning of The Last Five Years, Jason Robert Brown’s intimate song-cycle. She’s alone on stage, mourning the death of her marriage, pouring out her anger and confusion. The song ends—and suddenly Jamie appears, transporting viewers back to the very beginning of their story with a testament to love’s first pangs in his song “Shiksa Goddess.” The pair begins to reenact their relationship, with Cathy moving backwards in time from its heartbreaking ending and Jamie moving forwards from its luminous beginning.

Its unconventional exploration of love, intimacy, and life in Ohio made The Last Five Years a smashing success upon its Off-Broadway premiere in 2002. And the music itself is just as essential to the narrative as the lyrics—the New York Times asserted that in the musical, the Tony-winning Brown “confirms his sparkling facility as a composer, fluidly mixing diverse styles … from waltzes to rhythm and blues.”

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