The Legend of Zelda: Symphony of The Goddesses: Master Quest on Saturday, November 19, at 8 p.m.

Milwaukee

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In a Nutshell

Four-movement symphony weaves together melodic themes from Zelda games, accompanied by a dramatic multimedia presentation

The Fine Print

Promotional value expires Nov 19, 2016. Limit 8/person. Redeem on 11/19 for a ticket at venue box office. Refundable only on day of purchase. Must purchase together to sit together. Discount reflects merchant's current ticket prices, which may change. ADA seating cannot be guaranteed; contact box office prior to purchase for availability. Ticket value includes all fees. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.

The Deal

The Legend of Zelda: Symphony of The Goddesses: Master Quest

The Legend of Zelda: Symphony of The Goddesses: Master Quest celebrates nearly 30 years of stirring virtual adventure and memorable soundtracks with live orchestral renditions of the video-game franchise’s lush aural landscapes. Arranged by Music Director Chad Seiter, the concert’s four-movement symphony regales ears with Nintendo composer Koji Kondo’s original music from Zelda games, recalling moments of Link conquering dungeons, running through forests, and struggling to decide what color of tunic to wear. Conductor Eimear Noone leads the full symphony and chorus with the same skills that earned her the opportunity to orchestrate the soundtrack to World of Warcraft and conduct the musical score of StarCraft II: Wings of Liberty. Throughout the euphonious evening, a video collage syncs up with the adventurous tunes and spotlights exciting moments from the venerable franchise.

The Riverside Theater

As vaudeville heaved its last breaths in the late 1920s, RKO’s Riverside Theater opened in 1928 and served as a performance hall for just a few years before Warner Brothers took it over to screen their films. Decades of neglect followed, reaching a nadir in 1966 when a carelessly tossed cigarette butt incinerated the proscenium’s drapery, prompting the cash-conscious owners to replace the opulent teal velour with workmanlike duvetyn. A slated demolition in 1982 nearly replaced the theater with a shopping mall before a coalition of citizens convinced philanthropist Joseph Zilber to save the space. In the subsequent renovations, craftsmen installed plush red drapery, overhauled the obsolete lighting, and repainted the faded French Baroque gilding of the auditorium, restoring the elegant space to its former glory and inspiring it to get back out on the theater dating scene.


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