- $32 for one ticket to see Sister Act (up to $62 value)
- Where: Mayo Performing Arts Center
- Seating: section A
- Door time: one hour before showtime
- Ticket values include all fees.
- Click here to view the seating chart. Section A is in pink.
- Saturday, January 31, at 3 p.m.
- Saturday, January 31, at 8 p.m.
- Sunday, February 1, at 1 p.m.
A convent is the last place you’d expect to find smart-mouthed disco diva Deloris Van Cartier. Which is exactly why she’s there: after she witnesses her mobster boyfriend commit murder, the cops transform her into Sister Mary Clarence and convey her into the hands of a no-nonsense Mother Superior for her own protection.
Whoopi Goldberg made the role her own in the 1992 film, but the acclaimed new Broadway version adds some extra twists and glitz. This time around, Deloris’s tale gets the musical and sartorial stylings of the 1970s. Instead of oldies there’s a whole new set of originals that play both sides of the secular/spiritual divide, boasting titles including “It’s Good to be a Nun,” “Haven’t Got a Prayer,” and “Take Me to Heaven.” (Composer Alan Menken won some of his eight Oscars for work on films including Beauty and the Beast, The Little Mermaid, and Little Shop of Horrors.) The songs propel the plot as Deloris—naturally—transforms the convent’s tone-deaf choir into a starring musical attraction, while trying to fly under the radar of the mob.
Mayo Performing Arts Center
The Mayo Performing Arts Center straddles time. While one foot is planted in the old-fashioned charm of the 1930s movie-palace golden age, the other is firmly in the tech-savvy modern day. Between is a stretch of history that saw the theatre fall into disrepair and then resurrect itself to its star-studded heyday thanks to volunteers. Since its 1994 rebirth, the center has welcomed everyone from the Kirov Orchestra of St. Petersburg to Ringo Starr and Aretha Franklin. But, if the Mayo Center were a tripod, its third foot would certainly reach toward the future—a suite of education studios is onsite to cultivate the next generation of performers.