- $55 for one G-Pass ticket for seating in sections B, D, G, H, or J (up to $101.95 value)
- $65 for one G-Pass ticket for seating in section C or H (up to $121.17 value)
- Click here to view the seating chart.
How G-Pass Works: Your G-Pass will be ready to print 48 hours after the deal ends. Print the G-Pass and use it to enter the venue directly; you won’t need to redeem at will call. Due to security restrictions, G-Passes cannot be redeemed through the Groupon mobile app. Discount reflects the merchant’s current ticket prices - price may differ on day of event.
Based on a novel by 19th-century romantic fabulist E.T.A. Hoffman, The Nutcracker weaves a magical tale of holiday adventure around one of the most recognizable scores in the ballet repertoire. It begins when young Clara receives a nutcracker from her godfather, a wizardly toymaker named Drosselmeyer. Sneaking downstairs to see the toy after everyone else has gone to bed, she suddenly finds herself caught in the middle of a pitched battle between the toys and an army of mice. After saving the nutcracker with a well-thrown shoe to the Mouse King’s head, Clara and her now-living prince venture into the Land of Snow and the Land of Sweets to celebrate. Throughout their adventures, Tchaikovsky’s dazzling inventiveness propels the dances of nimble flowers and regal fairy queens. The “Waltz of the Snowflakes” floats weightlessly above the angelic voices of a youth choir, whereas the “Dance of the Sugarplum Fairy” tiptoes to the haunting, music-box chimes of a celesta. A medley of exotic national dances—including a Spanish bolero and Russian Trepak—add to the phantasmagoric celebration before the whole dream ends, as all dreams must.
At age 5, Carolina Ballet director Robert Weiss witnessed an enchanting production of The Nutcracker that inspired him to later pursue a two-decade career as a dancer with the New York City Ballet. Also fascinated with magic since he was a child, Weiss resolved to stage a reinterpretation of Tchaikovsky’s classic ballet that combined the lush music and pageantry of the traditional production with the jaw-dropping effects of a Las Vegas illusionist. Teaming up with Vegas’ Rick Thomas, Weiss re-creates The Nutcracker with reality-defying effects, including an early showstopper in which Drosselmeyer crushes his nephew in a cabinet, puts him in a bag, and draws him out, returned to full size. The revamped show has earned praise from such outlets as the News & Observer, which gushed about the “gasps after each eye-popping illusion, the applause for the handsome new sets, and rapt attention from all the children.”
Carolina Ballet has continuously awed audience members with classic pieces such as Carmen, The Nutcracker, and Swan Lake. Artistic director Robert Weiss helms the graceful outfit, often staging his own choreography. Symposium was particularly memorable for its use of “Serenade” by Leonard Bernstein and its finale.