One, Two, or Three Months of Acting Lessons at Pave Performing Arts & Event Center (Up to 57% Off)

Camp Springs

Value Discount You Save
$150 50% $75
Give as a Gift

In a Nutshell

Budding stars of stage and screen work on their acting chops in up to three months of classes run by industry professionals

The Fine Print

Promotional value expires 180 days after purchase. Amount paid never expires. Limit 1 per person, may buy 1 additional as gift. Valid only for option purchased. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.

Choose from Three Options

  • $75 for one month of acting lessons ($150 value)
  • $139 for two months of acting lessons ($300 value)
  • $199 for three months of acting lessons ($465 value)

Black-Box Theater: Dreaming in the Dark

Some venues boast a black-box theater. Read on to learn why some directors prefer these simple spaces.

“In light you are only half-conscious of the stage and half-conscious of your neighbor . . . In darkness he is eliminated and you are alone with the actor.” So wrote English director and playwright Harley Granville-Barker, an early proponent of the black-box theater around the turn of the 20th century. A black-box configuration—that is, a square or rectangular room with a changeable floor and lighting plan—has many benefits for theater companies. It’s easy to build, allows quick changes of scenery for a space hosting multiple shows at once, and, of course, provides designers and directors lots of flexibility to realize their visions. But it’s also long been considered the habitat of the theatrical avant-garde, far removed from traditional proscenium theaters that place the action in a distant, elaborate picture frame. In a black-box theater, it’s easy to create intimacy: just move the audience closer to the action, or even invite them to wander through it. Light and sound grids running across the ceiling make it possible to stage action anywhere in the room, especially in productions with an all-monkey cast.

Letting the Imagination Do the Work

The black box doesn’t necessarily have to be black. In fact, one of the most poetic statements of the space’s particular power may come from a man best known for his work in a white box: Peter Brooks, who staged a legendary circus-inspired 1970 production of A Midsummer Night’s Dream in an all-white space. Reminiscing in the Guardian in 2013, he wrote: “The invisible, the forest, even the darkness of night were evoked by the imagination in the nothingness that had no statement to make and needed no illustration.”

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