Founded to commemorate local US veterans, Lowell Memorial Auditorium's imposing, neoclassical exterior is ringed with inscriptions immortalizing famous generals and pivotal battles throughout the years, including Bunker Hill, Gettysburg, and San Juan Hill. The venue's history hasn't been all serious, however—in its early years, shortly after Word War I, its most popular event was the weekly Bingo game, which often attracted up to 3,000 participants and prompted Life to call Lowell a "natural Bingopolis." The decades following saw everything from conventions and civic affairs to performances by Benny Goodman and the Golden Gloves boxing tournament. By 1979 the building was so worn down from floods, hurricanes, and economic depression that it necessitated a major renovation to bring it into the modern era. Today, its stage is fit for Broadway-scale shows, the behind-the-stage balcony is gone, and air conditioning protects against summer heat and litigious snowmen.
Klezmer Conservatory Band coordinates some of the best theater in Somerville. From the moment the curtain draws, you'll be having a great time.
Parking is plentiful, so guests can feel free to bring their vehicles.
An Evening with the Boston Symphony Orchestra
The swell of strings, the roar of percussion: a night at Symphony Hall is a passionate, singular affair, whether you’re there to revel in Beethoven or to explore intrepid contemporary works. But in order to get the most out of a Boston Symphony Orchestra performance, it’s helpful to know a bit of background. Read on for a guide to this longstanding Boston institution:
An Illustrious History
1881: Founded by philanthropist Henry Lee Higginson, the orchestra gives its first performance at the Boston Music Hall.
1900: Symphony Hall opens and becomes the orchestra’s permanent residence. Its fin de siècle architecture enthralls audiences to this day.
1940: Inspired by Higginson, music director Serge Koussevitzky founds the Berkshire Music Center. Now known as the Tanglewood Music Center, it trains musicians and puts on a popular summer concert series.
1950s: The BSO begins performing internationally. In 1956, it tours the Soviet Union—the first American orchestra to do so.
2004: James Levine takes over as music director, a post he holds until 2011. During his tenure, Levine embraces the work of contemporary artists and expands the orchestra’s reach over new platforms, successfully ushering it into the 21st century.
What to wear: Unless you’re there on the opening night of the season, black tie is not necessary. Men can get by with a dark suit; women can wear a dress that’s at least knee-length, or a pair of dressy slacks.
When to clap: Use your program (or the rest of the audience) as your guide. Don’t applaud in between movements of longer pieces; wait until the piece is completely finished to signal your appreciation.
Who to bring: Children younger than 5 are not allowed at performances, but older kids may enjoy the orchestra’s sights and sounds. Specifically tailored to the preschool set, the BSO’s Concerts for Very Young People are free events held at the Boston Children’s Museum.
Before and After
The neighborhood has plenty to offer those who want to make the night special. For an authentic French dinner beforehand, reserve a table at Brasserie Jo; show your BSO ticket for a glass of wine or a dessert on the house with the purchase of an entrée. After the performance, head to the intimate Lucca Back Bay, which serves cocktails until 2 a.m.
The Press Box: Boston Philharmonic Orchestra
Under the guidance of conductor Benjamin Zander, the Boston Philharmonic Orchestra has entered what fellow conductor Christopher Wilkins calls "a Golden Age." From stages at Symphony Hall, Harvard, and the New England Conservatory, the orchestra invites Bostonians of all stripes to make music a part of their lives. Its renowned classical programs often come with musicology lessons, courtesy of the orchestra's passionate conductor:
“Zander did his usual peptalk beforehand, sharing infectious energy and humor, growling, snarling and demonstrating chords at a piano to translate Strauss’s emotions into music.” — Boston Musical Intelligencer
“[...] the Boston Philharmonic was a fascinating and often briskly exciting ride” — Boston Globe
“Whoops, whistles and flash bulbs at the end attested to an abundance of family and friends in the audience, but the concert was one that any music lover would savor.” — New York Times
“I wish more professional orchestras played as thrillingly and with as much commitment as they did.” — New York Arts