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Marcus King: Mood Swings The World Tour on June 14 at 8 p.m. (Up to 21% Off)
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Patrons get to enjoy the modern pop and hip hop of Marcus King in his Mood Swings The World Tour
- General admission floor
Marcus King: Mood Swings The World Tour at The Criterion 8 PM
Mood Swings is set to be released on April 5 via American/Republic Records. In support of this new album, King also announced his 2024 headlining tour across North America and Europe produced by Live Nation and FPC Live!, in addition to dates supporting Chris Stapleton. Combining elements of modern pop, R&B, aughts hip hop, piano-driven classic rock, and the warm production and symphonic instrumentation of classic era soul, R&B, and jazz. Previously released the song “Fck My Life Up Again” is a considerable departure stadium-sized rock, with strings that accent over a smoky jazz beat, while his soulful delivery booms, “Come fck my life up again, don’t deserve to live without pain.” A guitar solo “played backwards” channels stark confusion offset by the unshakable hook. On “Hero,” his croon rises over acoustic guitar towards a fluttering crescendo. The same naked emotion defines “Delilah” where over piano-led pop rock and innovative tracks such as “Inglewood Motel (Halestorm)” is an alt R&B masterpiece. The album closes with “Cadillac,” steeped in psychedelic symphonic soul it is an arresting tale of dark desires and suicidal ideation.
Patrons get to enjoy the modern pop and hip hop of Marcus King in his Mood Swings The World Tour
- General admission floor
Marcus King: Mood Swings The World Tour at The Criterion 8 PM
Mood Swings is set to be released on April 5 via American/Republic Records. In support of this new album, King also announced his 2024 headlining tour across North America and Europe produced by Live Nation and FPC Live!, in addition to dates supporting Chris Stapleton. Combining elements of modern pop, R&B, aughts hip hop, piano-driven classic rock, and the warm production and symphonic instrumentation of classic era soul, R&B, and jazz. Previously released the song “Fck My Life Up Again” is a considerable departure stadium-sized rock, with strings that accent over a smoky jazz beat, while his soulful delivery booms, “Come fck my life up again, don’t deserve to live without pain.” A guitar solo “played backwards” channels stark confusion offset by the unshakable hook. On “Hero,” his croon rises over acoustic guitar towards a fluttering crescendo. The same naked emotion defines “Delilah” where over piano-led pop rock and innovative tracks such as “Inglewood Motel (Halestorm)” is an alt R&B masterpiece. The album closes with “Cadillac,” steeped in psychedelic symphonic soul it is an arresting tale of dark desires and suicidal ideation.