- One G-Pass to see the Alvin Ailey American Dance Theater
- Where: Citi Performing Arts Center Wang Theatre
- Full offer value includes ticketing fees
- Thursday, March 26, at 7:30 p.m. Doors open at 6:45 p.m.
- Friday, March 27, at 8 p.m. Doors open at 7:15 p.m.
- $48.25 for seating in left- or right-center balcony, rows T–W (up to $80.60 value)
- $54.75 for seating in the left or right balcony, rows L–N (up to $91.35 value)
- Click here to view the seating chart
How G-Pass Works: Your G-Pass will be ready to print 48 hours after the deal ends. Print the G-Pass and use it to enter the venue directly; you won’t need to redeem at will call. Due to security restrictions, G-Passes cannot be redeemed through the Groupon mobile app. Discount reflects the merchant’s current ticket prices - price may differ on day of event.
Alvin Ailey American Dance Theater
Alvin Ailey once said, “Dance is for everybody. I believe that dance came from the people and that it should always be delivered back to the people.” In the spirit of the late master’s populist philosophy, the troupe that bears his name doesn’t just produce shows—they also provide dance training and community programs for aspiring performers and ambitious pointe shoes. And when the critically-acclaimed performers do take the stage, every soaring leap and intricate step powerfully communicates a unique perspective on American culture and history. Live performances pull from the company’s catalogue of more than 200 original works, celebrations of African American heritage that have earned it worldwide praise and even a Congressional resolution naming it “a vital American cultural ambassador to the world.”
The Boch Center's calendar of musicals, operas, rock concerts, dance productions, standup comedians, and classic-film screenings is a culmination of its decades as a Boston historical landmark. Starting out in 1925 as a "movie cathedral," the theater—then a renovated arts center capable of housing the most ambitiously scaled Broadway productions—morphed into the headquarters of the Boston Ballet. Throughout all its names and incarnations, the venue has retained the grandeur and luster of some long-lost wing of Versailles. In the lobby, dark-veined columns carved from imported marble vault skyward toward an arched ceiling and an enormous crystal chandelier that hangs like a pendulum from its center. In the theater itself, frescoes and intricate filigree surround the golden cupola that looms over a sea of scarlet velvet seats—a sight as awe-inspiring to audiences as it is terrifying to first-graders performing their first clarinet recital there.