$12 for Two Tickets to Syracuse Shakespeare Festival's "Love vs. Time" ($24 Value). Six Shows Available.

The Cantor Warehouse

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In a Nutshell

Theater company explores recurring Shakespearean theme of love against time in multimedia event with song, dance & film

The Fine Print

Expiration varies. Amount paid never expires. Limit 3 per person. Redeem on day of show for admission at box office. Must show valid ID matching name on Groupon at SU's Warehouse Theatre. Must provide first and last name at checkout, which will be provided to SU's Warehouse Theatre. Syracuse Shakespeare Festival is the issuer of tickets. Refundable only on day of purchase. Discount reflects Syracuse Shakespeare Festival's current ticket prices-price may differ on day of the event. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.

With the exception of disputed pro-football coin tosses and extreme debate clubs, the stage remains the only venue where arguments are regularly settled with a sword fight. Behold a dramatic settling of differences with this Groupon: for $12, you get two general-admission tickets to Love vs. Time, presented by the Syracuse Shakespeare Festival at SU’s Warehouse Theatre (a $24 value). Choose from the following performances:

  • Friday, April 13, at 7:30 p.m.
  • Saturday, April 14, at 7:30 p.m.
  • Sunday, April 15, at 2 p.m.
  • Friday, April 20, at 7:30 p.m.
  • Saturday, April 21, at 7:30 p.m.
  • Sunday, April 22, at 2 p.m.<p>

The Syracuse Shakespeare Festival––known for its theatrical productions held in the park, under a roof, and on the grass––assembles a cast of local artists and performers to interpret 28 of Shakespeare’s sonnets in a multimedia extravaganza that mixes music, dance, film, and dramatic presentations. The festival’s new production, Love vs. Time, explores a question that haunts many of Shakespeare’s works and anyone who has ever married a clock, which is, “What’s the most important force in one’s life—love or time?” The show helps onlookers answer this internal quandary through the emotional choreography of My Fusion Flow, the thought-provoking photographs of SU Newhouse students, the music of Ben de la Garza, and a host of other performances and displays. As the visual and musical guests frame the impassioned argument in gesture, two narrators advocate opposing positions with phrases drawn from a variety of Shakespeare’s sonnets and standup-comedy routines.

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