- One ticket to see I’m a Stranger Here Myself
- When: April 2–5 or 9–12 at 7:30 p.m.
- Where: Prince Music Theater
- Door time: 6:30 p.m.
- Ticket values include all fees.
Seating Options * $22 for seating in orchestra rows D–J (up to a $52 value) * $19 for seating in orchestra rows K–N (up to a $46 value) * Click here to view the seating chart.
I’m a Stranger Here Myself
**_Scenes from the play's recent run at the York Theatre_**
Kurt Weill. Lotte Lenya. Marlene Dietrich. Singer and pianist Mark Nadler may be too young to have known these legendary German artists, but he follows in their footsteps as a cabaret entertainer with a strong sense of history. His show I’m a Stranger Here Myself, examines the European expatriate experience in the time of Hitler through the flashy lens of its cabaret stars.
Through “crackerjack pianism and perceptive interpretation”—as Time Out New York put it—Nadler escorts audiences into the secretive world of German cabarets that rose during the reign of the Weimar Republic, where outsiders of many stripes found a home. Meanwhile, he demonstrates the long legacy of Weimar cabaret by dropping anecdotes from his own long career into the emotionally charged and sometimes-bawdy mix.
Prince Music Theater
Older generations know the Prince Music Theater as the Midtown Theater, and even older generations remember it as the Karlton Theater. The building’s previous tenants took audiences on a variety of journeys via the silver screen, but today the Prince Music Theater tends to deposit them directly on Broadway. Its rebirth began in 1984, when the American Music Theater Festival (AMTF) was a traveling non-profit theater company in search of a permanent home and a yard big enough for a swing set. Finally, in 1999, they found the former Midtown. Rechristening it as the Prince Music Theater in honor of legendary Broadway producer Harold Prince, the AMTF transformed the fading relic into a gleaming cultural destination with two spaces for live performances and film events. The Prince cultivates art as much as it curates it, having produced nearly 100 world premiers while sending more than 80 productions to New York and beyond.