Chamber Players


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In a Nutshell

All-stars and guest musicians from the Festival Orchestra perform classical and neoclassical chamber pieces

The Fine Print

Expiration varies. Limit 8 per person. Valid only for option purchased. Redeem starting 6/02 for a ticket at venue Will Call. Must show valid ID matching name on Groupon at Ruby G. Schulman Auditorium. Refundable only on day of purchase. Discount reflects Mainly Mozart's current ticket prices-price may differ on day of the event. Doors open 1 hour before showtime. For ADA seating, call box office promptly upon receipt of voucher - availability is limited. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.

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The Deal

  • Admission to Mainly Mozart’s Chamber Players concert series
  • Where: Ruby G. Schulman Auditorium
  • Seating: general admission
  • Ticket values include all fees.<p>

Performance Options<p>

$25 for two tickets to a choice of one concert (up to a $57 value)

  • Sunday, June 2 at 2 p.m. Doors open at 1 p.m.
  • Sunday, June 9 at 2 p.m. Doors open at 1 p.m.
  • Sunday, June 16 at 2 p.m. Doors open at 1 p.m.<p>

$70 for a series subscription for two to attend all three concerts (up to a $150 value)<p>

Chamber Players

Composed of members of the Mainly Mozart Festival Orchestra and its surrounding constellation of guest artists, the Chamber Players perform a range of works in a more intimate setting.<p>

Sunday, June 2
Musicians sink fingers and bow into Polish composer Witold Lutoslawski’s Partita for Violin and Piano, a complex and frenetic work requiring uncommon nimbleness. Beethoven’s Sonata for Violin and Piano No. 2 in C Minor—composed alongside the iconic Fifth Symphony—lets the pair weave similarly tormented, but more longing, melodies in the same stirring key as its famous counterpart.<p>

Sunday, June 9
A violinist, cellist, oboist, bassoonist, and pianist walk into a bar, decide to leave and walk into an auditorium instead, and dive into Beethoven’s self-transcribed Symphony No. 2. Described by the Kennedy Center as “…a prevailingly cheerful work illumined by a feeling of robust vitality and well-being,” the piece makes an appealing companion for Jean Françaix’s colorful, neoclassical Trio for Oboe, Bassoon, and Piano.<p>

Sunday, June 16
Pieces from French composers Gabriel Fauré and Francis Poulenc make up the program. Poulenc’s Sonata for Clarinet and Piano in B Flat veers from soothing to frenetic, characterized by a playful tone that suggests the clarinet is sticking its tongue out when the piano isn’t looking. Fauré’s Piano Quartet No. 1 in C Minor captures a mirroring sense of fun through its first two sections, but the third sees whimsy give way to a contemplative, wistful melody, grounded by the cello’s mournful tone.<p>

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