What You'll Get
- One ticket to Dallas Chamber Symphony presents Sight of Sound
- When: Tuesday, April 28, at 8 p.m.
- Where: Dallas City Performance Hall
- Door time: 7 p.m.
- Full offer value includes ticketing fees
- $15 for seating in section 5 or 6 (up to $29 value)
- $17 for seating in section 7 or 8 (up to $34 value)
- $22 for seating in section 1, 2, 9, 14, or 15 (up to $44 value)
- Click here to view the seating chart
Sight of Sound
- The gist: the symphony performs music while films from emerging filmmakers play on a screen
- Composers the symphony will explore: Edvard Grieg, Arvo Pärt, Edward Elgar, Philip Glass
- Audience members can be a part of the action: during intermission, they can submit a text to vote for their favorite performance, and the performance with the most votes will receive the Audience Favorite Award and a cash prize
The Fine Print
Promotional value expires Apr 28, 2015. Limit 8 per person. Valid only for option purchased. Redeem on 4/28 for a ticket at venue box office. Must show valid ID matching name on voucher at Dallas City Performance Hall. Refundable only on day of purchase. Must redeem together to sit together. Discount reflects Dallas Chamber Symphony's current ticket prices-price may differ on day of the event. Doors open 1 hour before showtime. For ADA seating, email email@example.com promptly upon receipt of voucher - availability is limited. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.
About Dallas Chamber Symphony
Beyond the glowing plate glass of the Dallas City Performance Hall, the Dallas Chamber Symphony is often hard at work devising ever-more-intriguing ways to welcome people into the world of symphonic music. Its director often places the symphony's talents against the canvas of live silent-film screenings, dance performances, and other media, along with the more usual work of pairing well-known pieces with contemporary compositions. Beyond concerts, the group also reaches out to the community by sponsoring musical competitions, holding pre-concert talks, and tossing staff-paper airplanes into open windows.