A former director of the Memphis Golf Association, Mark Grace has been imparting imparts golf wisdom to novice club wielders and experienced greensmen alike for more than 15 years. Bring a set of swingable golf sticks and spend one hour practicing driving, chipping, putting, and choosing a caddie based on the weight of his mustache. By focusing on the wrist set, Mark Grace analyzes students' complete swing, enabling him to identify any kinks, be it a hitch, improper speed, or attempting to golf with a pool cue. Computers, along with near-sentient TrackMan technology, assist these analyses. Each class takes place indoors, but can be moved outdoors to tee off from a range with a garage if necessary.
Though they operate more than 200 locations in upwards of 30 states, the team behind U.S. Baseball Academy aims to make each young athlete's experience a personal one. Their four- or six-week camps are taught by local instructors who are current or former coaches at the high school or college level, and typically offer a 6:1 or better player-to-teacher ratio for intense, professional-style training. The Academy's proven itinerary of hitting, pitching, fielding, and baserunning drills was developed by an advisory board of college coaches and Major League players, including Cy Young Award–winner and ace pitcher Brandon Webb.
One of the oldest community theaters in the country, Theatre Memphis has been putting on high-quality productions for 90 years. The 2010–2011 season features six highly acclaimed plays and musicals fit for auditory and sensory feasting. Tony Award nominee for Best Book of a Musical, [title of show] (January 14–30), is a love letter to the musical theater that follows two struggling writers in a race to craft an entry to a musical theater festival. Amadeus (February 4–20) traces Wolfgang Amadeus Mozart as he rises to become the number one ranked composer in the eyes of Austrian Emperor Josef. March 11–April 3, the stage and its reddest curtains dance to Cabaret, along with a charmingly carefree nightclub performer. Richard III, the third in William Shakespeare’s acclaimed three-part Richard series, appears April 8–24, preparing the stage for Picnic (April 29–May 15) and Crazy for You (June 3–26).
Instructor Lynn Givens knows from experience the kinds of dangers lurk in the world. After an experience with a stalker who threatened her and her son, she started training in armed self-defense, going on to earn a state instructor's certification in less than a year. Wanting to help prepare others for such threats, she joined the instructional team at Rangemaster, where today she and several other instructors lead more than 30 training courses.
Understanding that all clients have unique training needs is what drives the staff at Rangemaster. The team operates under the direction of owner and chief instructor Tom Givens, who previously spent 25 years in law enforcement and security. Applying training standards compliant with organizations such as the NRA, Tom's team-teaches classes from the Level I – Basic Personal Protection Course to advanced classes such as Low Light Skills and a three-day Dynamic Marksmanship course. When not leading classes, the instructors oversee a range that welcomes the general public and members, who enjoy perks such as class discounts and their own entrance music played at every visit.
The Memphis Symphony Orchestra has been breaking strings and the hearts of screaming fans since its inception in 1952. This year, the orchestra will once again resonate throughout the elegantly crafted Cannon Center, sending seasonal shivers down the tickled spines of all audience members. The Home for the Holidays performance includes vocal joys from soprano Ashley Brown, best known for her portrayal of Mary Poppins on Broadway, in addition to a medley of carol-worthy classics performed by the Memphis Symphony Chorus and the University of Memphis Concert Singers. The evening's combination of power and cheer will cause many to be moved to tears, which will likely form puddles in the theater, making exiting nearly impossible without an inflatable raft.
Canada's Classical Theatre Project shatters modern preconceptions about the dryness of Shakespeare by infusing the romantic tragedy of Romeo and Juliet with a potency and youthful electricity that snuffs reluctance in the Bard-averse. On an inventive chalk-circle set, the Toronto players whisk viewers to an Elizabethan marketplace in the 16th century, engaging the imagination without relying on cumbersome stage props. Hearts melt as Romeo, the Montague, and Juliet, the Capulet, fall in love against the odds, sweeping the audience along on their way to ghost prom. Shakespeare’s colloquies come naturally from the mouths of the virile acting talents, who translate the text for this generation’s ears without changing a word. Classical Theatre Project's rendition of Romeo and Juliet, intended for ages 11 and older, treats Shakespeare's tragedy like a rock concert, except with better enunciation and a higher mortality rate. A surviving artifact established in 1890, the historic and lovingly restored Orpheum Theatre adds majesty to the performance with its brocade draperies and crystal chandeliers.
Founded by Jack Belz (chairman and CEO of Belz Enterprises and Marilyn Belz, the Belz Museum of Asian & Judaic Art has displayed its collection of paintings, sculptures, textiles, and more from Asian and Judaic artisans since 1998, when it was originally called the Peabody Place Museum. Old-school art lovers can spend hours perusing Belz's collection of pieces from the Chinese Qing and other dynasties, including a 19th-century scene intricately carved in ivory tusk, or studying elaborate pottery from the Han dynasty. In addition to the four admissions, the deal also includes four collection catalogs ($6 each), so exhibition scrutinizers can study up on the museum's collections.