Instructor Lynn Givens knows from experience the kinds of dangers lurk in the world. After an experience with a stalker who threatened her and her son, she started training in armed self-defense, going on to earn a state instructor's certification in less than a year. Wanting to help prepare others for such threats, she joined the instructional team at Rangemaster, where today she and several other instructors lead more than 30 training courses.
Understanding that all clients have unique training needs is what drives the staff at Rangemaster. The team operates under the direction of owner and chief instructor Tom Givens, who previously spent 25 years in law enforcement and security. Applying training standards compliant with organizations such as the NRA, Tom's team-teaches classes from the Level I – Basic Personal Protection Course to advanced classes such as Low Light Skills and a three-day Dynamic Marksmanship course. When not leading classes, the instructors oversee a range that welcomes the general public and members, who enjoy perks such as class discounts and their own entrance music played at every visit.
For roughly a decade, the museum has been inviting curious rockers and the occasional roller to take a stroll through a musically guided journey through time. What started as an exhibit at the Smithsonian quickly took on a life of its own, developing into an independent museum commemorating the hoots and hollers of a genre. The historical galleries begin at the literal grassroots of the movement, chronicling the field music sung by rural agricultural workers. The galleries continue through the seventies, where a great deal of soul came into the mix and things really started to take off. In between, learn about the iconic label Sun Records, tips on growing a gnarly rock-n-soul beard, and how the music influenced an entire generation during the civil rights revolution.
Push Pilates owner Val Russell draws from her 10 years of experience studying human physiology and lifelong practice of dance, gymnastics, and circus arts to construct the studio's curriculum of movement-based workouts. During Pilates sessions, students can either learn to perform floor-based mat exercises or opt to work out on the spring-loaded Reformers, Cadillacs, and Wunda Chairs. Yoga-class instructors incorporate athletic poses into flowing Vinyasa-style sequences, linking one pose to the next with balance-challenging movement and breathing exercises. During aerial-arts lessons, students learn to reenact scenes from 2001: A Space Odyssey as they dangle from ceiling-mounted silk slings or metal hoops. Outside of the classroom, the center's massage services can soothe and rejuvenate any weary muscles or vestigial wings.
Canada's Classical Theatre Project shatters modern preconceptions about the dryness of Shakespeare by infusing the romantic tragedy of Romeo and Juliet with a potency and youthful electricity that snuffs reluctance in the Bard-averse. On an inventive chalk-circle set, the Toronto players whisk viewers to an Elizabethan marketplace in the 16th century, engaging the imagination without relying on cumbersome stage props. Hearts melt as Romeo, the Montague, and Juliet, the Capulet, fall in love against the odds, sweeping the audience along on their way to ghost prom. Shakespeare’s colloquies come naturally from the mouths of the virile acting talents, who translate the text for this generation’s ears without changing a word. Classical Theatre Project's rendition of Romeo and Juliet, intended for ages 11 and older, treats Shakespeare's tragedy like a rock concert, except with better enunciation and a higher mortality rate. A surviving artifact established in 1890, the historic and lovingly restored Orpheum Theatre adds majesty to the performance with its brocade draperies and crystal chandeliers.
Founded by Jack Belz (chairman and CEO of Belz Enterprises) and Marilyn Belz, the Belz Museum of Asian & Judaic Art has displayed its collection of paintings, sculptures, textiles, and more from Asian and Judaic artisans since 1998, when it was originally called the Peabody Place Museum. Old-school art lovers can spend hours perusing Belz's collection of pieces from the Chinese Qing and other dynasties, including a 19th-century scene intricately carved in ivory tusk, or studying elaborate pottery from the Han dynasty. In addition to the four admissions, the deal also includes four collection catalogs ($6 each), so exhibition scrutinizers can study up on the museum's collections.
Successful carriage maker Amos Woodruff began construction on his Memphis home in 1870, designing the property in French Victorian style with a mansard roof and cypress woodwork and flooring. A year later, the mansion hosted the wedding of Amos's daughter, Mollie, marking the first public event and first of countless weddings to be held on the property. Cotton factor Noland Fontaine owned the dwelling after Amos; following the death of Noland and his wife, the home became an art school and then a vacant building until the Association for the Preservation of Tennessee Antiquities acquired the space in 1961.
Nestled among magnolia trees, the restored mansion still shelters handwritten autographs and memories of the craftsmen who helped erect the building. Just as it did for Mollie Woodruff, the property also continues to host weddings and special events with a front lawn that accommodates up to 250 visitors. A collection of more than 1,000 pieces of Victorian-era fashion, such as wedding gowns, undergarments, overgarments, and stiletto horseshoes, can be found in the home. The clothing display changes several times throughout the year along with the museum's rotating exhibitions.