Berkeley Symphony Presents: Monstrous

Zellerbach Hall: U.C. Berkeley

Up to 55% Off
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What You'll Get

The Deal

  • $9 for balcony seating (up to $20 value)
  • $17 for front orchestra seating (up to $33 value)
  • $29 for side orchestra seating (up to $53 value)
  • $29 for side mezzanine and tier seating (up to $53 value)
  • Click here to view the seating chart.
  • Note: a pre-concert talk open to all ticket holders will precede the show at 7 p.m. in the main hall.

The Program

The Berkeley Symphony Orchestra finds beauty in the beastly subjects of this monster-themed concert. Beethoven’s ode to the original fire-bringer transitions into a new work dedicated to Mary Shelley’s modern Prometheus. 18-year-old wunderkind Simone Porter, meanwhile, pulls soloist duty, demonstrating the talent that the Seattle Times called “bold” and the London Times called “virtuosic.”

  • Beethoven—Overture to The Creatures of Prometheus: A majestically paced introduction transforms into a lively celebration of life in Beethoven’s only ballet.
  • Grey—Frankenstein Symphony: Co-commissioned by the Atlanta Symphony and the Berkeley Symphony, Mark Grey’s new work was written to commemorate the 200th anniversary of Mary Shelley’s classic horror novel
  • Tchaikovsky—Violin Concerto in D major: As it dances through oboe and timpani, a trilling violin solo strikes a balance between sweet romance and faint melancholy.

The Fine Print

Promotional value expires May 6, 2016. Limit 8/person. Valid only for option purchased. Reservation required. Redeem 5/5 for a ticket at venue box office. Refundable only on day of purchase. Must reserve together to sit together. Discount reflects merchant's current ticket prices, which may change. ADA seating cannot be guaranteed; contact box office prior to purchase for availability. Ticket value includes all fees. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.

About Berkeley Symphony

  • 1969: British maestro Adrian Boult's protégé Thomas Rarick debuts the Berkeley Promenade Orchestra—which, in true '60s spirit, performs wearing casual clothes in unconventional settings while being conducted entirely by good vibes.
  • 1978: Kent Nagano takes the reins as music director, heralding such changes as programming focusing on rarely heard 20th-century scores, a switch to formal attire, and a name change.
  • 1984: The orchestra joins forces with Frank Zappa for a critically acclaimed concert featuring elaborate stage sets and life-size puppets.
  • 2003: The orchestra gets a comfortable pullout sofa and therefore its first composer-in-residence: Naomi Sekiya, whose Sinfonia delle Ombre for two guitars and orchestra debuts later that year.
  • 2009: Joana Carneiro becomes the third music director in the orchestra's 40-year history, forging relationships with prominent Bay Area composers such as John Adams, Gabriela Lena Frank, and Paul Dresher.

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