There are six orchestras in YOSA's orchestra program: the YOSA Prelude Strings, Capriccio Stings, Sinfonietta Strings, Symphony, Philharmonic, and Flute Choir. Although the Philharmonic draws in the most talented students in the region for professional-level concerts, all the orchestras guide students toward an enriched understanding of the world and the music within it. Together, they benefit more than 1,500 young people in the region—through direct involvement with the orchestra and through offshoot programs such as the free after-school instruction sessions on the west side.
Ready to spice up your life? Check out Laugh Out Loud Comedy Club in San Antonio for some great fun.
A full bar is also available to accommodate customers with different drink preferences.
Browse our well-crafted drink menu and indulge in a tasty alcoholic beverage.
Forget the hassle of street parking and head to Laugh Out Loud Comedy Club for easy access to parking lots.
Major credit cards are accepted as a form of payment, so patrons are advised to charge responsibly.
A National Historic Landmark, the Majestic Theatre has beckoned more than 4,000 performances to its sweeping stage since its renovation in 1989 and has been praised by such notable guests as Tony Bennett, Sting, and former first lady Barbara Bush. Inside, a Mediterranean-style cityscape frames the theater's proscenium, and the ceiling swirls with projections of clouds, allowing audience members to release parakeets into the wild during concerts and Broadway shows.
For some of the best theater around, come to ComedySportz San Antonio in San Antonio.
Head on over to the in-house restaurant for a delectable meal.
The perfect place to take the kids, this theater won't cost you a sitter.
Parking is plentiful, so patrons can feel free to bring their vehicles.
Designed by legendary movie-house architect John Eberson and opened to the public as a vaudeville palace in 1915, the venue enjoyed performances by the likes of Harry Blackstone and Katharine Hepburn in its heyday. But things fell into decline during the 1960s as televisions became commonplace, more people migrated to the suburbs, and the stage’s trapdoor spontaneously grew fangs. The Paramount’s multi-tiered seating and historic ceiling murals languished in the theater’s years to follow as a tragically underused B-movie cinema.
In 1973, three men—John M. Bernardoni, Charles Eckerman, and Stephen L. Scott—formed a corporation with the ultimate goal of rescuing the Paramount, by that time slated for destruction. Soon, live performers were regularly supplementing a classed-up movie schedule, and the stage was graced by such artists as Dave Brubeck and Debbie Allen. The theater’s star rose ever higher in the ‘80s and ‘90s as the curtains introduced the world to such lasting works as The Best Little Whorehouse in Texas and the Greater Tuna series. Today, the lovingly built and rebuilt artifact is a constant reminder of Austin’s long history of arts appreciation.
Although Esther's Follies' variety show of music, magic, and comedy recalls the vaudevillian entertainment of yesteryear (albeit with a more acerbic modern bent), the nostalgia goes beyond just the performances. The longstanding venue and comedy troupe was named after Esther Williams, the Golden Age starlet whose career as a professional swimmer led to numerous iconic MGM films. Posters for several of these pictures are plastered throughout the space, and an undersea mural bustling with brightly-hued coral, kaleidoscopic marine life, and even a Loch Ness monster further contributes to Esther's otherworldly, aquatic theme. The magical environment, along with the shows themselves, have wowed audiences and Austin Chronicle critics alike.
On the production end, Esther's Follies busts guts in record speed with satirical quips on current events; relevant parodies; and high-stepping, fast-paced comedy sketches. Resident magician Ray Anderson keeps things light with levitation illusions known to dazzle crowds. As the Follies cast ignites into choral skewerings of front-page newsmakers, audiences will laugh so hard that giggles come out their noses.