Cracker brings their signature brand of irony and irreverence to a performance of their 1993 platinum album release, Kerosene Hat, which produced three radio hits including ‘90s alt-rock jam “Low.” The band’s power-pop-punk tunes have been bopping heads for more than 15 years and over the course of eight albums—making the musicians veterans of the rock scene. The indie-rock showcase includes a performance from Camper van Beethoven, a band that shares a lead singer and a backstage bathroom with Cracker.
The Asheville International Children's Film Festival entertains all-ages audiences with a tightly packed schedule of 70 cinematic works from artists in 25 countries, divided into seven blocks of short films and one feature-length movie. On Saturday, families gather in Asheville Pizza & Brewing's colorful theater to witness Round the World and Home Again, a live-action flight through the lives, dreams, and playground treaty negotiations of children in seven countries. Wee ones release exhilarated squeals at 13 shorts in Once Upon an Adventure, which fills the screen with animated and live-action feats that delight juniors without the stress of adopting a litter of knights.
At The Quarry, melodies dance through the evening air as knives clink over Angus steaks, veal, and seafood. The Quarry’s executive chef, Craig Gosnell, drizzles shiitake bordelaises, simmers white wine with lemon capers, and stirs mornay sauces, whose aromas waft amid the dining room’s layered rock walls, which are adorned with local art including six murals depicting new and old facets of Brevard. Patrons escaping from the labors of cooking and the low-hanging branches that snag chef hats chatter happily over dishes that tag in regional ingredients such as Carolinian trout. Nightly live music gives time in the limelight to local troubadours, who perform everything from jazz to bluegrass before basking in cheers and signing autographs for applause signs. Glasses of port kiss with a crystalline tinkle in the flickering light of handmade soy candles. Handcrafted tablecloths hearken back to old-fashioned artistry, and eyes wander to the smooth whorls of a walnut bar and a wrought-iron wine rack forged by the hardened hands of a blacksmith.
As the resident company at New York’s 92nd Street Y Harkness Dance Center, Doug Varone and Dancers strive to tell emotionally resonant stories through original, technically complex modern dance pieces. During "Lux," the graceful, athletic bodies of the troupe's eight dancers, including Waynesville native and Carolina Day School graduate Erin Owen, overleap imaginary potholes and fire hydrants to the music of renowned Candyman II composer Philip Glass. Spectators slotted into the Diana Wortham Theatre's 500 comfortable seats can also squint at the footnotes of "Chapters From a Broken Novel," which intertwines several short-story vignettes, or wave farewell to "Boats Leaving." Those seeking extra background and insight into the routines can attend a 7 p.m. pre-show discussion free to ticket-holders and left-footed ballerinas.
The Asheville Symphony invites classical newcomers and connoisseurs alike to bask in the sonic onslaught of powerful tunes during its seven-concert season. Under the skillful baton work of conductor Daniel Meyer, a six-season Asheville Symphony veteran, each concert harnesses the well-versed notes of up to 100 talented orchestra members and features a performance by a different guest artist.
During Shake, Rattle, & Roll!, professional Elvis impersonator Scot Bruce accurately depicts The King during his prime by belting out hits from the 1950s and 1960s in classic Presley attire. Known for his cameo in Faith Hill's "Let's Go to Vegas" music video, Bruce impresses audiences with an uncanny resemblance to Presley that encompasses the same pompadour, shared facial characteristics, and the ability to power a propeller-less helicopter by swiveling his hips. A four-piece band equipped with vintage instruments joins Bruce in successfully recreating Elvis's journey from his humble beginnings at Sun Records.