Cafe 322's welcoming atmosphere and rich menu of comforting Italian eats make diners feel at home while the live jazz adds a cosmopolitan flair. Try a different lasagna each day with the lasagna de la casa ($10.95) or opt for the sophisticated mélange of flavors in the fettuccine di spinaci e salsiccia with fresh spinach, italian sausage, and garlic sautéed in olive oil ($11.95). Cafe 322 also serves up tasty meatier dishes, such as lamb shanks slow-braised so they fall off the bone and directly into that special place in your heart reserved for Mom, America, and lamb shanks ($14.95). Stars of the gourmet pizza menu include the quattro formaggio, layered with fontina, mozzarella, gorgonzola, and parmesan cheeses ($11.95), and the flavorful grilled chicken pesto ($13.95).
Judas Priest, the influential English rock band that helped define heavy-metal culture, crescendos a globetrotting career on its farewell Epitaph tour. After nearly four decades of shaking Hades's chandeliers with defibrillating beats, jackhammer guitars, and vocals that earn restraining orders from glass, the crew of Judas Priest is revving through one last career-encompassing victory lap, leaving no head unbanged before hanging up its chaps. Singer Rob Halford hits and holds nearly unattainable notes in anthems that may include "Breaking the Law," "You've Got Another Thing Comin'," or "Mary Had a Little Lamb.” Gracing the stage in the open air of the amphitheater, legendary ax-grinder Zakk Wylde leads Black Label Society through a parade of questionable lullabies, and the boisterous lads of Thin Lizzy pump out hits that encourage inter-office dating at classic-rock stations.
Resembling a space ship abandoned by aliens who had recently time-traveled to hang out with Le Corbusier, The Glass House is a portal to rock and dance sounds for music-lovers of all ages. It’s also a cornerstone of downtown Pomona’s close-knit arts district, surrounded by record stores, cafes, and vintage shops. Holiday-themed shows and fundraising concerts join young, on-the-rise bands on the calendar, along with established favorites such as New Found Glory and The Faint.
Throughout the 1970s, KC & the Sunshine Band soundtracked countless nights of disco balls spinning and bellbottoms flapping with hits such as "That's The Way (I Like It)" and "I'm Your Boogie Man." Each cut teems with upstroke guitar intermingling with celebratory bursts from the horn section and the full-bodied tenor of frontman Harry Wayne "K.C." Casey. Whether he's telling the audience to get down on that very night or shake their collective booty, K.C. gleefully belts partying orders like a drill sergeant at a singles mixer as he claps and patrols the Greek's outdoor stage. The pine trees of Griffith Park tower over his funk collective while they blast their hook-laden cuts and infectious optimism into the night.
On Halloween 1940, hundreds of couples clad in suits and cocktail gowns flooded into a brand-new concert hall. Bas-relief pillars and crushed-velvet curtains flanked a bandstand that today would seem comically small, its curves echoed in a series of sweeping, backlit circles rippling across the ceiling and ending in a wrap-around balcony where guests could look down on the sea of elegantly coiffed heads. But most importantly, there was lots and lots of room to dance.
That’s remained true in the many decades since the Hollywood Palladium’s grand opening. Over the years, the venue has hosted everyone from Black Flag and The Ramones to The Offspring and Jay-Z, and though a flashy modern light and video system now fills the stage, it still looks out on a massive dance floor lit by anachronistic chandeliers. Of course, guests might well guess at this blend of modern spectacle and old-school panache just from the venue’s façade, whose enormous neon letters, powered by the motor of a 1955 Cadillac, tower above the marquee’s list of the big names on deck that week.